Showing posts with label Paul DesLauriers. Show all posts
Showing posts with label Paul DesLauriers. Show all posts

Saturday, November 12, 2022

#584 > Annika Chambers & Paul DesLauriers - Good Trouble (PhillyCheezeBlues.Blogspot.com)

 


2022 – Vizztone Records

By Phillip Smith; Nov. 12, 2022

Original source : phillycheezeblues.blogspot.com

 

Annika Chambers and Paul DesLauriers have both been on my radar a while.  I covered Chambers’ 2019 album Kiss My Sass, and DesLauriers’ 2016 release Relentless, as well as his 2019 release Bounce.  I embraced all three of those recordings.  The spirited couple met at the 2018 International Blues Challenge in Memphis and started working together in 2019.  Within the same year, they fell in love and got married. Good Trouble is their first full album together, and it’s absolutely fabulous.  Annika’s voice sounds divine as she takes on lead vocals.  Paul’s talent shines bright and runs immensely deep as he performs on an array of instruments.  He plays guitar, dobro, cigar box guitar, bass, and mandolin.  Additional musicians on the album include JP Soars on guitar, Chris Peet on drums and percussion, Gary Davenport on bass guitar, Alec McElcheran on bass guitar, Bernard “Bingo” Deslauriers on drums, Barry Seelen on Hammond B-3 organ, and Kim Richardson on background vocals.

A charged blast of southern soul rips the album wide open on “You’ve Got to Believe”.  Paul throws down a fiery guitar performance and a delightful accompaniment on mandolin.  Annika’s vocals are fearless and commandeering as she belts this amazing song out.  They create a riveting and soulful recreation of George Harrison’s “Isn’t it a Pity” from his All Things Must Pass album.  It’s quite different from the original, but it’s quite amazing.  They also do a spectacular job covering the Joe South 1970 hit “Walk a Mile in My Shoes” which peaked at #12 on the Billboard Hot 100 chart.  The warm bluesy tones of Paul’s guitar gently walk the listener into “Need Your Love So Bad”, the duet he sings with Annika.  This is indeed the blues.  My biggest surprise was hearing their take on Mountain’s legendary blues-rock anthem “Mississippi Queen”.  They absolutely shine as they keep this cover tightly close to the original.  I would have loved to witness this recording in the studio.  Good Trouble wraps up with a nearly ten-minute sacred-soul jam of “I Need More Power”.  This music for the spirit effortlessly takes me into a hypnotic trance and I love every bit of it.

Good Trouble is a brilliant album loaded with musical perfection.  I highly encourage everyone to give it a listen. 

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Saturday, January 11, 2020

#427 : Annika Chambers - Kiss My Sass



2019 – Vizztone  
By Phillip Smith; Jan. 11, 2020

Kiss My Sass, the third studio album from Houston blues artist Annika Chambers, is a dynamo of hot soulful blues.  Chambers, who was deservedly awarded the 2019 Blues Music Award for Soul Blues Female Artist of the Year, has been nominated again for 2020.  She certainly woos me over with her astonishing beautiful voice.      

Immediately, I’m lured into the record with “Let That Sass Out”, a tune written by R.B. Stone.  Powerful vocals from Chambers is topped with a buttery rhythm from drummer Greg Brown Jr., and bassist Larry Fulcher.  Searing guitar licks from The Mighty Orq seals the deal.  Ruthie Foster makes a guest appearance on “What’s Your Thing”, with The Mighty Orq on pedal steel.  This one is an absolutely fabulous cocktail of deep blues and heavy soul.  I downright love her cover of the Etta James’ classic “In the Basement”.  This party song puts such a big smile on my face with every listen.  Chambers enlists her husband, the great Paul DesLauriers with acoustic guitar in hand, to join in a spirited duet on “I Feel the Same”.  They sound wonderful together.  DesLauriers douses his guitar with gobs of delightful slide while the subtle booming thunder from percussionist Sam Harrison injects an unmistakable heaviness to the song.   

Kiss My Sass truly is an album I’ve enjoyed from beginning to end.  It’s a terrific listen.      
   
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Saturday, December 7, 2019

#420 : The Paul DesLauriers Band - Bounce

2019 – Vizztone
By Phillip Smith; December 7, 2019

Bounce, the third and latest album from The Paul DesLauriers Band is filled to the brim with hot smoldering blues topped with DesLauriers’ soulful vocals.   It’s no wonder why this Montreal-based blues group has pulled down Entertainer of the Year twice at Canada’s Maple Blues Awards, and took second place at the 2016 International Blues Challenge in Memphis, Tennessee.  Guitarist/singer Paul DesLauriers leads this trio with Alec McElcheran on bass, and Sam Harrison on drums.  Bassist Greg Morency also appears on six of the thirteen tracks.    

I love the infectious guitar riff DesLauriers keeps churning on “Let Me Go Down in Flames”.  I’m easily drawn to the North Mississippi vibe emanating from it.  J.P. Soars notably appears on “Picked a Bad Day”, a killer song with a heavy-duty bass-line.  The dual guitars are searing.  PLB’s cover of Anthony ‘Duster’ Bennett’s “Jumpin’ at Shadows” is beautifully melodic.  They conjure up a big tasty helping of delta blues on “When the Darkness Comes” for another superb listen.  My favorite track on the album is “Loosy Goosy Jam #769”.  This cool-as-hell six and a half minute instrumental rides along an unstoppable driving rhythm, which DesLauriers slathers with his amazing guitar picking.  It’s absolutely fabulous.

Bounce is a must hear for blues fans.  DesLauriers and his band have set a new bar for themselves.  This really is a terrific listen.


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I reviewed PDB’s album, Relentless in 2016.  Click the following link to access it.    https://phillycheezeblues.blogspot.com/2016/07/the-paul-deslauriers-band-relentless.html


For more information about the artist, visit this website: https://www.pauldeslauriersband.com/



Saturday, September 28, 2019

#410 : Ghost Town Blues Band - Shine




2019 – Ghost Town Blues Band
By Phillip Smith; Sep. 28, 2019

I’ve been anxiously awaiting this new album from Ghost Town Blues Band since first hearing about it this past Spring.  It was indeed worth the wait.  Shine, the band’s fourth studio album, and fifth overall is downright spectacular.  Soulfully packed in roots and blues, each of the dozen original songs stand out in their own way.  With singer/guitarist Matt Isbell as front-man, this Memphis-based band consists of guitarist Taylor Orr, saxophonist/producer Kevin Houston, trombonist Suavo Jones, bassist Matt Karner, drummer Andrew McNeill, with Cedric Taylor on B3 and piano.  

The feel-good energy of “Running Out of Time” delightfully ushers the album in.  I love the Allman Brothers vibe and the sweet sound of slide guitar.  “Soda Pop” is a downright blast.   Isbell fearlessly rips it up on cigar-box with some hard-driving blues.  The song is definitely one of my favorites.

Although “Shine” and “Givin’ it All Away” were both on GTBB’s live album, Backstage Pass, I embrace the new studio recordings.  Guest vocalists Paul DesLauriers and Annika Chambers both make an appearance on title-track “Shine”.  This beautiful feel-good song always puts a smile on my face. “Givin’ it All Away” is one bodacious jam.    The jazz-soaked rhythm from McNeill and Karner set the stage for a captivating performance from Suavo amid the swirling sounds of guitar and B3.  I enjoy it immensely.               

The funky groove of “Dirty” sinks its psychedelic claws in deep as Orr tosses out screaming cool-as-hell guitar licks.  I dig the rap break injected into the song by Suavo too.  It truly gives the song an extra dimension.  With a chockful of emotion, Orr gives a heart-felt delivery on “Carry Me Home”.  It’s such a great song.  Illana Katz Katz makes a guest appearance on “Hey There Lucinda” with violin in hand.  This absolutely lovely song delicately brings the album to a close.         

Shine is one of the best records I’ve heard this year.  I give it my highest of recommendations.

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For more information about the artist, visit this website.. www.ghosttownbluesband.com  



Sunday, July 17, 2016

The Paul DesLauriers Band - Relentless


2016 – Big Toe Productions
By Phillip Smith; July 17, 2016


Relentless, the follow-up to the self-titled 2014 album from The Paul DesLauriers Band is a riveting electric blues album to say the least.  Singer/guitarist extraordinaire Paul DesLauriers takes the helm of this ship manned by a magnificent rhythm section, bassist Greg Morency and drummer Sam Harrison.

In “Stewtro Rock (Just Got Back)”, DesLauriers breaks loose with guitar in hand like a furious and caffeinated bat out of hell, soaring all the way until its mind-blowing climax.  The energy stays high in “I’m Your Man”.  Walking the narrow line between blues and rockabilly, DesLauriers doles out Memphis-style riffs while Morency keeps the rhythm going with a boogie-laced bassline. DesLauriers gets nice and swampy with “Still Under My Skin”, while hopelessly pining over lost love.  The jam on the bridge is absolutely amazing.  DesLauriers unleashes a wondrous wall of guitar sound while Harrison dishes out a stellar and thunderous performance on drums.  I also can’t help but gravitate towards the beautiful eight and a half minute power ballad “If I Still Had You”.  As the tension slowly builds, I crank the volume to fully embrace the lovely intense jam which follows.                 

More often than not, as the last song on the album finishes, instead of replacing the disc with another, I’ll just let it ride for another spin.  That must be why this album is so suitably named, Relentless