#320 : Jane Lee Hooker - Spiritus

2017 – Ruf Records

By Phillip Smith; Feb. 17, 2018

There is no other band quite like New York City’s Jane Lee Hooker.  Much like the Rolling Stones, this rockin’ quintet, comprised of Dana “Danger” Athens on lead vocals/keys, guitarists Tracy “High Top” Almazan and Tina “T-Bone” Gorin, drummer Melissa “Cool Whip” Houston, and bassist “Hail Mary” Zadroga, has deep roots in the Blues.  Spiritus, their sophomore album is a ten-song mix of high-voltage rock and roll and blues deliciously delivered with a captivating and unbridled approach.  

An energetic shout-out to the famous Knucklehead Saloon in Kansas City nicely kicks things off in a southern rocker fashion for the opener “How Ya Doin’?”  “Gimme That” sweetly follows.  The swagger in Athens’ vocals is undeniable and that Stonesy riff sounds so good.  Living life to its fullest, taking charge and taking chances takes precedence in the passionately sung “Mama Said”. The dual guitars are terrific.   

Cool Whip and Hail Mary take no prisoners as they forge a raw and intense groove on Big Mama Thornton’s “Black Rat”.  This one is best served loud.  The energy of the band radiates through their ripping performance on Bobby ‘Blue’ Bland’s 1961 jewel “Turn On Your Love Light”.  It is a pure delight indeed.  To wrap things up, Jane Lee Hooker beautifully winds Spiritus down with a wonderful ten minute dose of relaxing slow-cooked blues in “The Breeze” which certainly hits the spot.  I love every bit of it.

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In September of 2017, I caught Jane Lee Hooker at the Bowlful of Blues Festival in Newton, Iowa.  It was a terrific show.  The lineup was The Norman Jackson Band, Rob Lumbard, Dwayne Dopsie and the Zydeco Hellraisers, Mato Nanji & Indiginous, with Jane Lee Hooker headlining.  I am so glad I took my camera and captured the event for my blog.  Here’s a link to the photos I took that day …  

 https://phillycheezeblues.blogspot.com/2017/09/25th-annual-bowlful-of-blues-sep-3-2017.html

#313 : Bernard Allison - Let it Go

2018 –Ruf Records

Release Date : February 2, 2018

By Phillip Smith; Jan 6, 2018

I have nothing but the highest of praise for Bernard Allison’s latest album Let it Go.  It’s a delightful blend of blues, funk and soul.   With this release, Bernard returns to Ruf Records, the label Thomas Ruf created for his father, the late great bluesman Luther Allison in 1994.  Bernard’s band is wonderfully tight and consists of rhythm guitarist John T. McGhee, bassist George Moye, and drummer Mario Dawson.  Recorded by the legendary music producer, Jim Gaines, the album was recorded at Bessie Blue Studio in Stantonville, Tennessee.

From the beginning, I’m hooked by the spirited rhythm and bouncy groove on “Cruisin for a Bluesin”.  It wonderfully ignites into a smoking guitar performance.  His soulful vocals on title track “Let it Go” are suave and soulful.  This is such a terrific song.  There’s a definitely a bit of the P-Funk influence on the front end of “Night Train”.  I love the bassline Moye throws down as Bernard takes this fresh, funky track to the next level with his guitar mastery.  Covered and topped with Dawson’s dynamic drumming, this is one phenomenal listen. 

Bernard charmingly takes on Brook Benton’s 1960 hit single “Kiddio”, enlisting the magnificent Jose Ned James on sax. For a fabulous finale, the listener is treated to two wonderful covers originally recorded by his father, Luther.  First served is the delicious slow-cooked blues of “You’re Gonna Need Me”, from the 1982 album South Side Safari. Then for a captivating closer, Bernard beautifully performs “Castle”, from Luther’s 1994 album Hand Me Down My Moonshine. 

Over the years, Bernard Allison has continued to push the envelope in his songwriting and artistry, and that certainly shows in Let it Go. 

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#303 : Samantha Fish - Belle of the West

2017 – Ruf Records

Release Date : Nov. 03,  2017

By Phillip Smith; Nov 18, 2017

With Belle of the West, Samantha Fish continues to knock my socks off with her music.  Since 2011, this fierce guitar-slinging singer-songwriter from Kansas City has released five spectacular albums.  Belle of the West is the second one of 2017.  In March, Fish turned a lot of heads with the fabulous Chills and Fever album, which focused mainly on R&B deep cuts from the Sixties and Seventies.  Belle of the West, takes a more rootsy route, with Fish exploring the nooks and crannies of Americana.  Recorded at Zebra Ranch Studio in Independence, Mississippi, this album again reunites Fish with Luther Dickinson ( North Mississippi Allstars, South Memphis String Band) for his production expertise as well as guitar and mandolin prowess.  Also appearing on the album is Jimbo Mathus (Squirrel Nut Zippers, South Memphis String Band) on Fender Rhodes piano and harmonica, Lightnin’ Malcom on guitar/harmonica , Amy LaVere on upright bass, Lillie Mae on violin, Tikyra Jackson and Trina Raimy on drums, and Sharde Thomas on fife and drums.

Powered by a big bowlful of moxie, Samantha ushers the listener into “American Dream”.  The violin accompaniment is the cherry on top of this swirly drum and fife driven masterpiece. “Blood in the Water” cleverly follows right behind, slowly accumulating a tense and unsettling vibe with its lulling rhythm.  Fish’s exquisite vocals highlight “Cowtown”, a riveting country-fried toast to escaping the clutches of small-town living.  Loaded with gobs of twangy guitar and a rocking piano backer, this sticks its landing as one of my favorites.  “Daughters” is an especially captivating song.  It is fabulously written and filled with emotion.  

Title-track, “Belle of the West”, penned by Jimbo Mathus has a strong Willie Nelson air about it and is a nostalgic call-back to the golden era of country music’s story-telling songs.  I adore Samantha’s cover of the RL Burnside classic “Poor Black Mattie” too.  It’s an absolute pleasure to hear Dickinson record the song again.  It was one of my favorite cuts off the Shake Hands With Shorty album he recorded with the North Mississippi Allstars seventeen years ago.

      

Samantha Fish has once again brilliantly defied those who would pigeonhole her as one particular type of artist.  The well from which her talents are drawn runs incredibly deep.  As far as I’m concerned, this record, “Belle of the West” is destined to be an instant classic.

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Links to other PhillyCheeze Reviews featuring Samantha Fish  

PhillyCheeze Album Review : Samantha Fish - Chills & Fever

https://phillycheezeblues.blogspot.com/2017/04/samantha-fish-chills-fever.html

PhillyCheeze Concert Review and Photos : Samantha Fish - Live @ Campbell Steele Gallery : 3/18/16

https://phillycheezeblues.blogspot.com/2016/03/samantha-fish-live-campbell-steele.html

  

Albert Castiglia - Up All Night

2017 –Ruf Records

Release Date : Oct 6, 2017

By Phillip Smith; Oct 14, 2017

Albert Castiglia is definitely on a roll. He pulls no punches on his latest album “Up All Night”.  With an all-new band consisting of bass player Jimmy Pritchard and drummer Brian Menendez, Castiglia again enlists Mike Zito to produce, help write, and toss some of his trademark guitar and vocals into the ring.  Also making appearances on this magnificent blues-rock album are music masters Lewis Stephens on keys, Sonny Landreth on slide guitar, and Johnny Sansone on harmonica.

Castiglia presses the pedal to the metal, as he lays a long trail of rubber on “Hoodoo on Me”.  Penned by Zito, this heavy-hitting blues-rocker rides a thick relentless bassline and showcases Castiglia’s guitar mastery.  Smattered with a slough-full of funky psychedelic licks, his cover of Brian Stoltz’s (funky Meters) “I’ve Been Up All Night” is engaging and groovy.  Landreth’s slide guitar on Castiglia’s tale of outrunning a hurricane in “95 South” is marvelous and swampy, just the way I love it. 

Included in this recording are a couple of outstanding songs from Graham Wood Drout (Iko Iko) who Castiglia collaborated with in 2006 on a record called The Bittersweet Sessions: “Three Legged Dog” and “Knocked Down Loaded”.  Both have the unique gift burying themselves in my head for hours on end.  I love Castiglia’s nitro-charged take on Luther “Snake Boy” Johnson’s “Woman Don’t Lie”.  It’s a sizzling delight.   

Castiglia won me over with his previous album, “Big Dog” which I reviewed in June of 2016.  I remember thinking how tough it was going to be for him to top that album. He did though.  “Up All Night” is absolutely wonderful and has set a new bar. 

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The PhillyCheeze review of Albert Castiglia’s Big Dog album  > 

https://phillycheezeblues.blogspot.com/2016/06/albert-castiglia-big-dog.html

  

Savoy Brown - Witchy Feelin’

2017 –Ruf Records

By Phillip Smith; Sep 9, 2017

It’s been fifty years since the first Savoy Brown album, Shake Down, hit the streets in England, and Kim Simmonds shows no signs of slowing down.  The man is definitely on a roll right now.  Besides his brand new solo instrumental album Jazzin’ on the Blues, which is absolutely wonderful by the way, he has the all new off-the-hook Savoy Brown album Witchy Feelin’ out now too.  It is a smoldering hot eleven track plateful of electric guitar-blues.  Returning to the studio with Simmonds is bassist Pat DeSalvo and drummer Garnet Grimm, both of who have been playing in Savoy Brown since 2009. 

A strong impression is made when I hear the intoxicating Texas blues of “Why Did You Hoodoo Me”.  The driving rhythm and searing guitar seals the deal.  The hypnotic hook and swampy slide of “Livin’ on the Bayou” lures me in like the song of the sirens.  It’s beautifully played.  I then get a big smile on my face when he breaks out more bodacious slide singing about one of my favorite places, “Memphis Blues”.  Simmonds pumps a delightful dose of psychedelia into the amazing, “Thunder, Lightning and Rain”, making for an exquisite listen.  “Can’t Find Paradise”, the anthem of the album is rockin’ and contagious. It’s terrific.

Witchy Feelin’ certainly ranks up there among my favorites of the year.  

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Thorbjørn Risager & The Black Tornado - Change My Game

Thorbjørn Risager & The Black Tornado

Change My Game

2017 – Ruf Records

By Phillip Smith; June 25, 2017

It’s been almost three years since I reviewed Thorbjørn Risager’s award winning studio album, Too Many Roads.  I loved that album.  His latest release, Change My Game is just as tight and sophisticated.  With Risager front and center on vocals and guitar, The Black Tornado consists of pianist/organist Emil Balsgaard, guitarist Peter Skjerning, tenor saxophonist Kasper Wagner, saxophonist Hans Nybo, trumpet player Peter Kehl, bassist Søren Bøjgaard, and drummer Martin Seidelin.  As this tight-knit band from Copenhagen puts it, “Change My Game” is not just an album title, but also the guiding ethos that has driven this band from the start. 

Risager’s vocals on “I Used to Love You” are suave and debonair. They sound great sitting in the mellow dreamlike atmosphere of reminiscence which the Black Tornado beautifully conjures up.  “Dreamland” is contagious from the beginning; I love its callback to Eighties soul-rock.  Skjerning delivers up some killer guitar riffs which play very nicely with the big full keyboard sounds from Balsgaard.

Like a moth to the flame, I’m quite drawn to the swampy blues of “Holler ‘N’ Moan”.  Saturated with nice and greasy slide guitar, and sung with conviction, this track feels so good to listen to.  There’s a sweet heaviness to the way Risager sings “Lay My Burdon Down”.  He magnificently paints this one in a gloomy melancholy light.  Risager closes with a masterpiece called “City of Love”.  In a musical sleight of hand, he inventively shapes this one from a Texas blues boogie into a mind-blowing, psychedelic treat complete with horns and swirling keys.

Thorbjørn Risager & The Black Tornado have scored big again, continuing their tradition of excellence in music with Change My Game.  Like a big, juicy steak, this is music one can delightfully sink their teeth into.  

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Samantha Fish - Chills & Fever

2017 – Ruf Records

By Phillip Smith; April 8, 2017

With her new album, Chills & Fever, Samantha Fish ventures into an exciting new direction, shifting her focus towards early Rock and R&B.   Recorded in Detroit, Fish baptizes this fourteen track recording in the splendid sounds of the Sixties and Seventies, enlisting members of the Detroit Cobras( rhythm guitarist Joey Mazzola, bassist Steve Nawara, drummer Kenny Tudrick), electric pianist Bob Mervak, and a superb horn section featuring Mark Levron on trumpet, and Travis Blotsky on saxophone. 

Fish sings “It’s Your Voodoo Working” with a sexy and confident voice.  Her guitar teases are terrific and sound amazing, backed by the vibrant horn accompaniment from Levron and Blotsky.  A new life is breathed into Irma Thomas’s “Hurts All Gone”.  It’s a spectacular song with a fabulous hook.  Her slide guitar on Skip James’ “Crow Jane” is a bodacious swampy treat.  I absolutely love it.  I’m also smitten by the wonderful cover of Lulu & the Luvvers’ “I’ll Come Running Over”.  That is hands-down, one big nostalgic bowlful of fun featuring a classic rhythm and blues sound.

Chills & Fever reveals a most interesting new side to Samantha Fish.  Already a huge fan of her work in the blues, this album only makes me love her music more.

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Laurence Jones - Take Me High

2016 –  Ruf Records

By Phillip Smith; Nov. 19, 2016

Take Me High, the fourth album from British blues artist Laurence Jones, is downright spectacular.  After being awarded Best European Blues Guitarist in 2015, Jones fines himself nominated again for 2016.  Producer-extraordinaire Mike Vernon (John Mayhall, David Bowie, Eric Clapton, Fleetwood Mac) puts his magic touch on the album, making sure the energy levels remain high on this fabulous recording.  Joining Jones is his band composed of bassist Roger Inniss, drummer Phil Wilson, with Bob Fridzema on keyboards and Paul Jones on harmonica. 

Killer beats and lush keys provide the perfect backdrop for Jones’ razor-sharp riffs on “Live It Up”, a monster song which crushes everything in its path.  From the searing beginning to its exciting climax, “Addicted to Your Love” is drenched with emotion.  “Take Me High”, stewed in an electric bluesy goodness is dutifully served with true grit and nice tasty helping of slide.  It is such a great pleasure to hear Jones let loose on a song, like he does on Stevie Wonder’s “Higher Ground”.  This piece de resistance is ear-candy for the music aficionado. 

I could listen to Take Me High for hours on end.  It is just that good. 

Devon Allman - Ride Or Die

2016 –  Ruf Records

By Phillip Smith; Oct. 21, 2016

Ride Or Die, the third solo album from Devon Allman is quite strong and very bold.  Recorded in Nashville, this rocking, soulful and rootsy recording confidently hits on all cylinders.  Allman returns to the studio with co-producer/drummer Tom Hambridge, along with guitarist/bassist Tyler Stokes, bassist Steve Duerst, saxophonist Ron Holloway, violinist Bobby Yang, and keyboardist Kevin McKendree. 

Best played loud, “Say Your Prayers” masterfully ushers in the album, firing off catchy marching riffs and wavy psychedelic licks. Allman adds more heat to the swirling rock anthem “Galaxies”, asking “when galaxies collide, will you ride or die?” Allman performs this one with a beautiful intensity.  Allman sings “Watch What You Say” with the attitude and suaveness of Tom Jones.  His vocals, dripping with soul and conviction, are wonderfully accented with his stellar guitar playing.  I love the bouncy folky rhythm Allman threads through “Live From the Heart”.  It is contagious and a sheer delight.  He then wraps the album up with “A Night Like This”, a big meaty track consisting of jet-streamed riffs, lush keys and bubbly blasts of sax.  I can’t help but think of James Bond when I hear this fabulous piece.  It truly would make for an astounding 007 theme song.

Ride Or Die is a lovely album, and is Allman’s best work yet.     

Albert Castiglia - Big Dog

2016 – Ruf Records

By Phillip Smith; June 25, 2016

I’ve always enjoyed hearing Albert Castiglia play the Blues, but there is something about his latest album, Big Dog, that grabs ahold of me and just latches on.  Castiglia surrounds himself with extremely talented musicians: bassist Scot Sutherland, drummer Rob Lee, and Lewis Stephens on keys & piano.  For the icing on the cake, Mike Zito also performs on guitar and produced the album as well. 

Castiglia enters the album guns-a-blazing, holding back nothing, lobbing immense and intense guitar licks as if grenades on a battlefield, in the monster opening track “Let the Big Dog Eat”.  Castiglia advises promising musicians that hard work is the key to success in the song, “Get Your Ass in the Van”.  He lays down lots of sweet killer slide guitar on this original track, while satirically making his point, singing “This ain’t no American Idol.  There ain’t no more deals being made at the cross-roads.”. Castiglia then goes deep on his four-star cover of Luther Allison’s “Drowning at the Bottom”.  I can feel the blues oozing from his pores as he beautifully plays this soulful tear-jerker. This is my absolute favorite.  Stephens’s organ performance adds a cool Allman Brothers vibe on “Let’s Make Love in the Morning”.  This soulful, feel-good song puts a smile on my face with every listen.             

Big Dog is so hot and electric; it is pretty much an instant classic.     

Ina Forsman - Ina Forsman

2016 – Ruf Records

By Phillip Smith; Feb 27, 2016

I absolutely love the retro R&B sounds on Ina Forsman’s debut self-titled album. This Finnish sensation brings a luscious and soulful presence to every song she sings.  Forsman’s influences begin when she was just seven years old and received her first Christina Aguilera album from her aunt.  Much like Aguilera, Forsman is not afraid to use the power in her voice. Her style reminds me of my all-time favorites, Amy Winehouse, Diana Ross, and Lana Del Rey.  

I can’t help but sway back and forth as Forsman sings the blues so sweetly in “Talk To Me”.  The harmonica accompaniment from Helge Tallqvist is downright terrific.  Constructed within a slightly ominous arena, “Devil May Dance Tonight” is one damn cool song too.  It’s a little bit twangy, and yet very suave.  The piano and brass-laced “Bubbly Kisses”, is tackled with a breathtaking sultry intensity. This track is magnificent.  Forsman concludes the album with a sweet and sexy cover of Nina Simone’s “I Want a Little Sugar in my Bowl”, in which pianist Nick Connolly and Mark Kazanoff on saxophone, create a perfectly mellow and intimate atmosphere. This one is very nice indeed.

This dazzling album gets my highest accolades. It’s a superb listen from start to finish. 

Heather Crosse - Groovin’ at the Crosse Roads

Heather Crosse   

Groovin’ at the Crosse Roads

2015 – Ruf Records

By Phillip Smith; Jan 9, 2016 

There’s always been some damn good music pouring out of the Mississippi Delta, and the spigot is far from being turned off.  Caught in that wave of music is Heather Crosse‘s magnificently bodacious rocking blues band, Heavy Suga’ & the Sweetones.  Formed in Hot Springs, Arkansas in 2007, Crosse moved the band to Clarksdale, Mississippi in 2008.  Groovin’ at the Crosse Roads is eleven tracks of boogie-laced blues produced by non-other than multi-Grammy Award winner Jim Gaines.  With Crosse taking on lead vox and bass in the band, she is joined by guitarist Dan Smith, drummer Lee Williams, and Mark Yacovone on piano/keys.    

Crosse hooks me quick with her sultry performance of “My Man Called Me”.  Smith’s guitar licks and Yacovone’s piano prowess solidifies this intoxicating mix of swing and electric blues. I love their funky cover of Clarence “Blowfly” Reid’s 1974 sexy B-side “Rockin’ Chair”.  Slathered in a laid-back Seventies vibe, this wonderful throwback conjures up visions of big collars and flare jeans.  Crosse adds just the right amount of rasp as she takes on Big Mama Thornton’s powerful classic “You Don’t Move Me No More”.  Not only does Crosse nail the vocals, but Yacovone’s piano performance shines brightly, reminding me a bit of the “Killer”, Jerry Lee Lewis.  This one is fun indeed.              

Simply put, Groovin’ at the Crosse Roads is a delightful listen.  

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Mike Zito & the Wheel - Keep Coming Back

2015 – Ruf Records

By Phillip Smith; Dec 26, 2015

 

Mike Zito is quickly becoming one of my favorite songwriters.  His lyrics have a way of connecting with the working class, and the music to which they are delivered is a splendid dose of rock, blues, and Americana. The Wheel consists of a stellar group of musicians: bassist Scot Sutherland, pianist Lewis Stephens, saxophonist Jimmy Carpenter, and drummer Rob Lee.  Keep Coming Back contains ten magnificently written and performed originals along with a ripping cover of Bob Seger’s “Out of Denver” and a funky take on CCR’s “Bootleg”.   

Stephens and Carpenter dole out tasty barrelhouse piano and rocking sax on title track “Keep Coming Back” as Zito kicks out the jams on guitar.  This one is one big ball of bluesy fun. 

I love easing into the day, listening to “Early in the Morning” on my way to work.  Zito’s raspy vocals remind me a lot of Rod Stewart's.

A true master at telling stories through this music, Zito delivers the goods with “Girl From Liberty”, which takes a closer look at the grim underbelly of dysfunctional family life.  This song sits atop my list of favorites.  Zito then digs deep inside his soul to share the destruction and aftermath resulting from his battles with addiction, in the heart wrenching “I Was Drunk”.  There’s an anxious energy surrounding “Cross the Border”, a chaotic tale of reckless abandon.  It surely leaves me hanging on the edge of my seat as the story unfolds.    

Whether he’s performing his own songs, or one of the covers, Zito keeps it real and keeps it interesting.  That’s what I love about his music.    

     

Kim Simmonds and Savoy Brown - The Devil to Pay

2015 – Ruf Records

By Phillip Smith; Nov 14, 2015

The Devil to Pay, the latest from the legendary Kim Simmonds and Savoy Brown is a monster set of thirteen all-new, original mojo-infused blues tunes.  Savoy Brown retains their exemplary three man lineup with bassist Pat DeSalvo and drummer Garnet Grimm as Simmonds continues to lay down the law with his guitar and verse.    

Simmonds’ guitar oozes with heartfelt emotion as he explores the deep well of loneliness in “Ain’t Got Nobody”.  He then faces the harsh consequences of infidelity in the title track “The Devil to Pay”, a rambling blues tune with an old school Sun Records rockabilly vibe.  Simmonds rips it up with tremendous slide on “I’ve Been Drinking”.  While “Snakin’” is a nice instrumental to which one can sit back, relax and enjoy, the ominous “Evil Eye” pretty much begs to be turned up full blast so one can completely absorb the radiating guitar licks and badass bassline. This is one killer tune.

I really like this particular incarnation of Savoy Brown.  Simmonds, DeSalvo and Grimm sound so good together, and really know how to tap into that rawer, edgier sound so reminiscent of the early days of rock and roll. The Devil to Pay is a definite ‘keeper’.  

Devon Allman - Ragged & Dirty

2014 – Ruf Records

By Phillip Smith; Sep 27, 2014

They say you got to strike the iron when it’s hot.  I’m thinking that must be a part of Devon Allman’s philosophy.  Amid a super busy schedule of recording and touring, both on his own, and with Royal Southern Brotherhood, Allman was able to find time to record this bluesy southern-rock masterpiece called, Ragged & Dirty.  Bringing Grammy winner Tom Hambridge onboard to help write and produce, as well as drum, was a choice that seems to have paid off very well.

Kicking things off in a big way, Allman energetically delivers Texas style blues with “Half the Truth”.  I not only listen to this song, but I physically feel it  Soaking up the vibrations from Allman’s tasty guitar riffs riding atop a wall of sound from Marty Sammon on B-3 organ, instantly puts me in a great mood.  The hounds are released on “Blackjack HeartAttack”, another electrically-charged track.  Simply put, this is just a great song, with infectious hooks, and bodacious guitar licks.

Allman shows off his funky side in “Can’t Lose ‘em All”. This one seems to be perfectly fitted for lengthy jam sessions, and reminds me a little of the music of The Allman Brothers.  While on the subject of funky, it’d just be wrong to not mention “I’ll Be Around”, a smooth cover of the Spinners 1973 classic. Allman unveils his chops as a soul singer on this track showing he can go pretty much any direction he wishes, musically. 

“Midnight Lake Michigan”, clocking in at about nine and a half minutes, is an amazing instrumental.  This one is best played loud, without any outside disturbances, so as to catch every lovely and strategically played note.  Immediately following is, “10 Million Slaves”, a song reminding us about the atrocities of the transatlantic slave trade, written and previously recorded by trace-blues king Otis Taylor.  Allman’s guitar sings beautifully as he stays true to the original spirit of the song.

Allman, taps into his southern rock roots with “Traveling” and “Times Have Changed”.  Vocals lowered and raspy, he reminds me tremendously of one my favorites, Jim “Dandy” Mangrum, of Black Oak Arkansas on these two tracks.

There’s something in every song that deserves to be heard.  Besides the well-crafted songwriting, and flawless performances, Ragged & Dirty has heart, soul, and a boatload of personality.  It’s sure to be a fan-favorite. 

  

         

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Thorbjørn Risager & The Black Tornado - Too Many Roads

2014 – Ruf Records

By Phillip Smith; June 21, 2014

Thorbjørn Risager was an unfamiliar name to me prior to hearing his spectacular new album, Too Many Roads, recorded with his band, the Black Tornado.   But I can tell you this much, I will remember his name from now on.  This eighth release from Risager, is a sheer delight and is sure to be a reckoning force on the blues scene this year.  In a nutshell, it’s twelve well-crafted songs delivered via a tight group of musicians operating together like a well-oiled machine.

Risager grabs the listener and pulls them in on the first few bars of the lead song, ‘If You Wanna Leave”, with gritty guitar riffs, reminiscent of George Thorogood , Eric Clapton-like vocals and soulful horn accompaniment. Title track, “Too Many Roads”, follow.  I feel like I’ve been dropped on the corner of the Crossroads in Mississippi when I hear this song about making the right choices.  The way it oozes that endearing swampy sound… it doesn’t get much better than this.

I love the way Risager’s strong gravelly vocals rides atop the killer guitar riffs in “High Rollers”, all with the attitude and energy of the Rolling Stones.  This track, about taking a chance in the game of love, makes me wants to break out the air guitar and play along.   

The beautifully remade “China Gate”, from the 1957 film, takes the listener to a quieter and more solitude spade.  Pouring emotion into every note sung and played, Risager and the Black Tornado make this exceptional song stand-out.   

With a touring schedule that consists of 80 – 100 shows a year, all that’s left to do is cross our fingers and wait for a U.S. leg of the tour.   

Spin Doctors - If the River Was Whiskey

2013 - Ruf Records 

By Phillip Smith; January 4, 2014

The original members of the Spin Doctors have all reunited; bringing vocalist Chris Barron, guitarist Eric Schenkman, bassist Mark White, and drummer Aaron Comes all back together again to record their sixth studio release, If the River Was Whiskey. This ten song album is their first in eight years, and interestingly leans a lot more toward the Blues side of the scale.  It’s fun to hear the Spin Doctors take on the Blues full force.  If it weren’t for Barron’s recognizable voice, I wouldn’t have guessed this was the Spin Doctors.   

I really like the twangy guitar riff Schenkman dishes out on “Some Other Man”, a song about broken hearts and lost love.  This could very well be mistaken as the missing track from Bob Dylan’s Tempest album. It has a very folky blues feel to it.  I also enjoyed the cleverly written, “So Bad”.  Schenkman puts an eerie spin on this slow devilish twelve bar blues song about the horrifying Mr. Satan.

 

Surprised and impressed is how I feel each time I hear “Scotch and Water Blues” .  Schenkman steps out in the spotlight and lets it rip on this electric blues favorite, while Comes pounds the hell out of his drums.  It doesn’t get much better than this.  And while on the subject of spirits, I better mention “If the River Was Whiskey”, a catchy fast paced rockabilly selection with the hook, ‘if the river was whiskey, you’d have no trouble drowning me’. I like this one quite a bit too.

More Blues, along with just a tiny bit of their trademark alt rock music round out the rest of the album.  I’m not sure if this is a new direction for the Spin Doctors, or if making a Blues album is a one-time gig. However, if this is a new direction for the band, consider me on-board.