#460 : Kat Riggins - Cry Out

 

2020 – Gulf Coast Records

By Phillip Smith; Aug. 29, 2020

 

It’s been almost four years since being smitten by the music of Kat Riggins, with her 2016 album Blues Revival.  That album was so incredible.  Her brand-new album, Cry Out is yet another musical masterpiece.  Recorded on Mike Zito’s label Gulf Coast Records, the album has a big Zito presence.  Each of the original thirteen tracks were written by Riggins and composed by Zito, with the only exception being a short thirty-five second interlude of “Hand in the Hand”.  Backing Riggins on the album is drummer Brian Zielie, bassist Doug Byrkit, featuring Zito on guitar.  

“Son of a Gun” kicks the record off with a big meaty bassline, locked and loaded with a driving rhythm.  It’s a southern rocker infused with Seventies-style stanky funk, and packed with soul.  A fitting song for the times, title-track “Cry Out” is steeped in blues, and topped with a big slice of juicy harp.  “Catching Up” captivates me with Riggins’ smooth, powerful vocals which ride atop a tide of infectious riffs and thunderous beats.  Her no-holds-barred delivery on “Can’t You See Me Now” is nicely punched up with blasts of brass and hot guitar licks.  Kat sings the blues with abundant intensity in “Burn it All Down”, as she goes all-in for a final showdown in a shaky relationship. “The Storm” ominously wraps the album up in a harrowing and blues-soaked manner.  Riggins’ gives a dynamic performance as Zito takes his guitar out for a lush and psychedelic walk. 

Kat Riggins is definitely among the top of my list when it comes to favorite blues singers today.  As a songwriter, her mastery of writing blues songs is quite noteworthy.  Cry Out is an excellent album in all regards.                   

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For more information about the artist, visit this website : katriggins.com

 

PhillyCheeze’s Sep.16, 2016 review of Kat Riggins’ Blues Revival

https://phillycheezeblues.blogspot.com/2016/09/kat-riggins-blues-revival.html

 

 

#691 : Tom Craig - Get to Work (PhillyCheezeBlues.Blogspot.com)

 

2024 – 8th Train Records
 
Release Date : July 20, 2024
 
By Phillip Smith; July 6, 2024
 

Original source : phillycheezeblues.blogspot.com

 

I’ve been drawn to the music of Tom Craig since reviewing his first album Get Ready For Me. His follow up album Good Man Gone Bad continued to grab my attention with its deep focus on blues. Craig’s third and most recent record Get to Work feels like the third installment of his first trilogy. Craig brings his troubadour-like smooth vocals, masterfully written songs, and big soulful instrumentation to the studio for a grand listening experience. Produced by Mikey Junior, Get to Work features Craig on vocals and guitar, Greg Gumpel on lead guitar, Matt Daniels on rhythm guitar, Steven Kirsty on saxophone, Bill Heid on piano/organ, Matt Raymon on electric/upright bass, Michael Bram on drums, Dave Gross on percussion/fiddle, and Mikey Junior on featured vocals/harmonica. Bringing the whole package together, another favorite singer, guest Kat Riggins appears on three tracks.    

In a burst of horns and funky rhythm, Craig rolls out a carpet of Sixties soul with his break-up song “As Sure as I Can Raise My Hand”. His buttery vocals question the things that happen when he’s gone in “Making Coffee”. Backed with a Latin beat, surf guitar, and hot sax, this track lands as an absolute favorite. Title-track “Get to Work” hits me with a wave of nostalgia as it swiftly strikes me as a follow-up to that deeply-adored Blind Faith song “Can’t Find My Way Home”. It’s a beautiful song. “Geneva Avenue” brings Craig and Riggins together for a gorgeous and melancholy duet. It’s aways a treat to hear her sing. She has a very lovely voice. Gumpel’s performance is awe-inspiring as every note he plays on guitar seems to sob as it’s played. Mikey Junior steps in on vocals for a funky blues/hip-hop infusion track called “I Showed My Hand Too Soon”. Its infectious groove pulls me in for a fun ride indeed. The high-octane soul of “Deal Breaker” is a riveting dose of sound therapy as the song barrels through like a locomotive driven by Casey Jones. If Elvis were still alive and playing Vegas, he’d have to cover this one. It’s absolutely fantastic. “Mother to the World” brings the record to a close with a John Lennon-esque touch as Craig sings of peace and love.

Tom Craig is a one-of-a-kind all-original artist who continues to impress me with each and every release. Get to Work is as solid as an album can get. I highly recommend this one.       

 

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For more information about Tom Craig, visit the website at https://tomcraigband.com  

 

Catch up on previous PhillyCheeze reviews featuring Tom Craig through this link https://phillycheezeblues.blogspot.com/search?q=tom+craig

 

Catch up on previous PhillyCheeze reviews featuring Kat Riggins through this link

https://phillycheezeblues.blogspot.com/search?q=kat+riggins

 

Kat Riggins - Blues Revival

2016 –  Bluzpik Media Group

By Phillip Smith; Sep. 10, 2016

I’m really smitten over the new Kat Riggins album, Blues Revival.  This singer/songwriter from Miami has such a lovely voice, perfectly suited for singing the blues. She has a clever sense for songwriting as well.  Penning eight of the ten songs on this album, she injects a stylish and fresh attitude toward the Blues .  This powerhouse singer has a wonderful backing band too.  Also known as Blues Revival, her ensemble is composed of Darrell Raines on guitars and keys, bassist George Caldwell, and drummer Doc Allison.  

“Good Girl Blues” feels so good to listen to, with its velvety smooth delivery.  I love her cover of Sam Cooke’s “Change is Gonna Come” too.  Riggins belts this one out with the passion and conviction which this song deserves.  Raines lays down the law with his guitar on “Blues is My Business”, from Etta James’ 2003 Grammy winning album, Let’s Roll, making for a very striking cover.  Riggins’ vocals run from sultry to sassy, while psychedelic guitar licks and a groovy trance beat take “Devil is a Liar” to another dimension.  This terrific song takes me back to the early years of the late great Isaac Hayes.

Both Riggins and her band bring their “A-game” to each and every song, making Blues Revival such a pleasant listen.    

#580 > Emanuel Casablanca - Blood on My Hands (PhillyCheezeBlues.Blogspot.com)

2022 – Kings County Blues

By Phillip Smith; Oct. 15, 2022

Original source : phillycheezeblues.blogspot.com

 

Blood on my Hands, the debut album from Brooklyn-based blues-rocker Emanual Casablanca has quickly garnered my admiration.  Casablanca’s all-in approach to music produces deep and personal songs.  That’s what makes his blues honest and real.  This album contains sixteen tracks of all-original material featuring an amazing arsenal of guests which include Eric Gales, Albert Castiglia, Paul Gilbert, Kat Riggins, Brother Dave, Felix Slim and Jimmy Carpenter.   

Delivered upon a metallic bolt of lightning and a strong System of a Down vibe, “Afraid of Blood” begins this kick-ass musical journey.  With Casablanca staring the listener squarely in the eyes, he confirms what we’re afraid of.  The answer is him.  The blues begins to pour freely afterwards as Gilbert blindsides me with his amazing guitar performance on “In Blood”.  Then Gales comes onboard for title track “Blood on My Hands”.  It’s always a treat to hear this man play.  Casablanca’s vocals are buttery and from the heart.  “Like a Pulse”, a beautiful duet featuring vocalist Kat Riggins and Sanga of the Valley on percussion, is a multi-faceted delight.  Nestled deep within a cloud of unsettled brooding, Casablanca sings of broken dreams and sleepless nights in “Bloodshot Eyes”.  The song, nailed to a hypnotic groove and featuring Castiglia on guitar, is quite infectious.  Felix Slim steps with guitar and harp in hand on “Nashville”.  I love the swampy slide and the sheer grittiness of this track.  It’s impossible to escape the driving rhythm and ear-worm-inducing riff on “Thicker Than Blood”.  The track absolutely rocks.  It’s shindig time when Brother Dave shows up with guitar in hand on “Testify”.  With a recurring riff, and a taste of slide, this one makes for a fun listen.

There’s a definite edge to Emanuel Casablanca’s songs as he presents them as blues, rock, and somewhere in between.  Blood on My Hands is a genuinely great listen from top to bottom and I look forward to hearing more from this emerging artist.       

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For more information about Emanuel Casablanca, visit this website : https://www.emanuelcasablanca.com/