#428 : Thorbjørn Risager - Come On In

2020 – Ruf Records 

By Phillip Smith; Jan.18, 2020

I’ve been a big fan of Thorbjørn Risager since reviewing his Too Many Roads album in 2014.  This eight-piece band from Denmark has been playing together for seventeen years, and continually raise the mark with every release.  Rooted in blues, and infused with elements of jazz, swing, gospel, and rock, Risager’s music is some of the best recorded today.  Their new album Come On In is absolutely stunning.  Backing Risager while he takes lead on guitar and vocals, is Emil Balsgaard on piano/keys, Joachim Svensmark on guitar, Kasper Wagner on assorted saxophones, Hans Nybo on tenor sax, Peter W. Kehl on trumpet/flugelhorn/trombone/sousaphone, Søren Bøjgaard on bass/moog/synthesizer, and Martin Seidelin on drums/percussion. 

Title track “Come on In” rolls out with a fetching pulse from Seidelin while Risager lures me in with his cool-as-hell voice and etheric guitar licks.  I love the slide on “Last Train”.  This fabulous, hard-driving blues tune is marvelously infectious.  “Two Lovers” is beautifully written and performed.  Risager constructs a dreamy and hypnotic atmosphere in “On and On”.   There’s a deep soulful energy about this one, that draws me right in.  With the dials set at eleven, they tackle “Love So Fine” with searing guitar, pounding keys, and a backline of brass.  This powerful jam is a great one to rock out to. 

Thørbjorn Risager and the Black Tornado have unquestionably won me over yet again with Come On In.  It is such a splendid album to usher in the new year.           

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For more information about the artist, visit this website https://risager.info     

#427 : Annika Chambers - Kiss My Sass

2019 – Vizztone  

By Phillip Smith; Jan. 11, 2020

Kiss My Sass, the third studio album from Houston blues artist Annika Chambers, is a dynamo of hot soulful blues.  Chambers, who was deservedly awarded the 2019 Blues Music Award for Soul Blues Female Artist of the Year, has been nominated again for 2020.  She certainly woos me over with her astonishing beautiful voice.      

Immediately, I’m lured into the record with “Let That Sass Out”, a tune written by R.B. Stone.  Powerful vocals from Chambers is topped with a buttery rhythm from drummer Greg Brown Jr., and bassist Larry Fulcher.  Searing guitar licks from The Mighty Orq seals the deal.  Ruthie Foster makes a guest appearance on “What’s Your Thing”, with The Mighty Orq on pedal steel.  This one is an absolutely fabulous cocktail of deep blues and heavy soul.  I downright love her cover of the Etta James’ classic “In the Basement”.  This party song puts such a big smile on my face with every listen.  Chambers enlists her husband, the great Paul DesLauriers with acoustic guitar in hand, to join in a spirited duet on “I Feel the Same”.  They sound wonderful together.  DesLauriers douses his guitar with gobs of delightful slide while the subtle booming thunder from percussionist Sam Harrison injects an unmistakable heaviness to the song.   

Kiss My Sass truly is an album I’ve enjoyed from beginning to end.  It’s a terrific listen.      

   

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#426 : Kevin Burt Live at Checkers Tavern

Kevin Burt Live at Checkers Tavern

Cedar Rapids, IA

January 5, 2020

By Phillip Smith

It’s been around twenty years since I first witnessed Kevin Burt’s early appearances at Checkers Tavern.  He’s always been engaging, but this show seemed more special, as Kevin reminisced about playing this venue in his early days as a solo performer. After kicking his show off with “Wake Up Baby”, an original off his Heartland and Soul album, he fabulously played through a mix of covers and original songs.  Armed with guitar and harmonica, he covered selections such as Dylan’s “All Along the Watchtower”, Junior Wells’ “Messing with the Kid”, Richie Havens’ “Freedom”, Johnny Nash’s “I Can See Clearly Now”, and Buddy Guy’s “Feels Like Rain”.  He also played several of my favorite originals, such as “Your Smile”, and “Day Day”.  His performance was soulful and heartfelt, and his voice, as always, superb.  I enjoyed this one immensely. 

* photo by Phillip Smith

#425 : Joanna Connor - Rise

2019 – M.C. Records
By Phillip Smith; Jan. 4, 2020

For over thirty-five years, Joanna Connor has been wooing blues fanatics in the Windy City.  Rise represents her thirteenth album, and third for M.C. Records.  After spotlighting her 2016 release Six String Stories on my blog and being gobsmacked while watching her perform at the 2017 Czech Village Blues festival in Cedar Rapids, Iowa, it’s a great pleasure to hear new music from this fabulous musician.  Connor, on guitars and vocals, is backed by bassist Joewaun Jay Red Scott, drummers Cameron Lewis and Tyrone “TY Drums” Mitchell, Delby Littlejohn on keys and Ryan Shea on sax.

Joined by Keithen Banks on vocals and rapper Alphonso Buggz Dinero, Connor starts the record off with a delightful dose of funk-filled R&B in “Flip”.  This is where all the fun begins.  Then, with guitar in hand, Mike Zito steps in on “Bad Hand”.  This uplifting track is accented quite nicely with a beautiful keyboard performance from Littlejohn.  Lewis tears it up on the jazz instrumental “Joanna in A”.  This is one hip track that feeds the spirit.  Another great instrumental is the cover of Sly Stone’s “If You Want Me to Stay”.  I dig it when Scott pours the funk on the bass.  Listening to Connor play “My Irish Father” is an absolutely astonishing experience.  She truly is a master.  

Connor’s blend of funk and blues goes right for the jugular in “Mutha” with fierce, mind-blowing guitar licks and vocal backing from Dinero.  The album comes to a climatic end with “Dear America”, a heavy Led Zeppelin-based blend of “When the Levee Breaks” topped with Dinero’s spoken-word state-of-the-world message.

Rise elevates Joanna Connor to a brand-new level.  I highly recommend this one.   

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For more information about the artist, visit this website:  www.joannaconnor.com

PhillyCheeze’s Review of Joanna Connor’s Six String Stories : https://phillycheezeblues.blogspot.com/2017/08/joanna-connor-six-string-stories.html

PhillyCheeze’s Photo coverage of 2017 Czech Village Blues festival, featuring headliner Joanna Connor : https://phillycheezeblues.blogspot.com/2017/08/czech-village-blues-festival-aug-12-2017.html

#424 : Northern Social - (self-titled)

2019 – independent

By Phillip Smith; Dec. 28, 2019

Northern Social, a mesmerizing duo from Ontario, is comprised of guitarist/vocalist Dylan Wickens and drummer/percussionist Mike Rajna.  Their debut release is this wonderful five-track EP, saturated in blues.  Wickens, a two-time winner of the Toronto Blues Society New Talent Search, and nominee for The Maple Blues Awards’ Best New Artist in 2005, has been steadily touring these past twenty-two years, with either his own band, or with his Hendrix Tribute.  

The high-octane blues-rocker “Waiting” fearlessly rips this package open with fiery hot licks and a driving beat.  I’m instantly drawn to the hypnotic rhythm Wickens lays out in their cover of Keb Mo’s “Am I Wrong”.  It settles nicely in the pocket while his smooth and heavy vocals take charge.  “King of Hearts” is another one I can just get lost in.  There’s a bit of that North Mississippi moonshine poured on this one.  It’s fabulously dirty.  “Dead Neighbor Blues” is work of genius and beautifully brings this recording to a close.  Wickens definitely tapped into the blues when writing this one.

The five tracks on this EP surely packs a punch, and demands attention.  Northern Social is definitely worth taking a chance on. 

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·         Streaming formats are not available.  Purchases can be made through the website, www.dylanwickens.com