PhillyCheeze's Rock & Blues Reviews

Saturday, July 18, 2015

Robin Barrett & Coyote Kings - Howl / JPBlues - Live at Darwins

Coyote Kings

Howl

2015 –Robin Barrett

By Phillip Smith; July 18, 2015

I always look forward to hearing from Robin Barrett and the Coyote Kings from Walla Walla, Washington. Howl, the fourth installment from this Pacific Northwest band, contains a cache of smokin’ electrified blues. Kicking off with title track, “Howl”. Barrett throws down the gauntlet, blasting crafty riffs of swampy goodness. This one digs in deep, and I like it. “Waiting to be Free”, is on top of my list of favorites as well. This one slows it down a notch, and Barrett’s guitar wails so beautifully. Another track that puts a smile on my face is the Chuck Berry influenced “Jackhammer Slow Jammer”. It really gets the blood pumping. The most interesting and coolest track though, is “Party”, wherein Barrett blends funk with swamp blues. At times it reminds me of ZZ Top. Other tracks that surely deserve a mention are the eerie “Dark Dark Night”, and “Crazy in the Head”, a track that takes me back to the Eighties, listening to Timbuk 3’s “Future’s So Bright, I Gotta Wear Shades”.

JP Blues

Live at Darwin’s

2015 –Midnight Circus Records

By Phillip Smith; July 18, 2015

One listen to his latest album, Live at Darwin’s is all it takes to understand why John “JP Blues” Pagano is rapidly rising up in the ranks of blues guitarists. This sizzling guitar virtuoso is joined by bassist Tony Hossri and drummer Shiloh Bloodworth to make one killer blues trio. I love the gritty and swampy “Old Man Joe”. This quick paced track reminds me so much of my favorite Southern Rock band, Black Oak Arkansas, down to the Jim Dandy-styled vocals. I had to stop and think a while the first time I heard JP’s rendition of Jay Z’s “99 Problems”. It was so interesting and quite the unexpected treat to hear this rap song played so bluesy. JP pours his soul out in “Another Time, Another Place”. From a calming and beautiful beginning, the song builds traction, gaining speed until an explosive battleground of pure guitar expressionism is reached. But wait, there’s more. The finale “Good Morning Little Schoolgirl” dishes out nearly ten minutes of unadulterated blues and ferocious jams. JP’s guitar playing on this track is simply amazing. It doesn’t matter who moved your cheese, this is where it’s at.

Sunday, July 12, 2015

BillyLee Janey - Got Them Iowa Blues

2015 –Damn Good Tunes

By Phillip Smith; July 12, 2015

In 1975, BillyLee Janey recorded the critically-acclaimed psych-blues album Truth and Janey’s No Rest For the Wicked. Give his latest album, Got Them Iowa Blues a listen and one will find out very fast, Janey is still pushing the envelope of sound, producing some of the best electric guitar blues around. Joining Janey in the making of this album is his son, Bryce Janey on bass guitar, and drummer Eric Douglas.

From the get-go on “Damn Good” Janey breaks out his satchel full of swagger, and delivers some of the most wickedly interesting guitar licks I’ve heard. Listening to “Superstar” sends chills down my spine. I don’t know how he does it, but his guitar speaks a different language than most. It’s simply amazing to hear all these cools sounds immersed in a big bowlful of blues. I love the driving funky beat from guest drummer, John Wilson on “Mean Ole Twister”. Janey channels the chaos and furious force of an F5 tornado into this tune, and drops a subtle Wizard of Oz reference which makes me smile.

Those who have ever lived in Iowa will surely understand where Janey is coming from as he sings about frigid winters, hail storms, and Midwest tornados in the slow-simmered “Iowa Blues”. The man knows how to play the blues, that’s for sure. I could listen this all day.

For more info about BillyLee Janey, vist his website: www.billyleejaney.com

http://phillycheezeblues.blogspot.com/

Sunday, July 5, 2015

Victor Wainwright and the WildRoots - Boom Town

2015 –Blind Pig Records

By Phillip Smith; July 4, 2015

Boom Town, the latest release from Victor Wainwright and the Wildroots, is chockfull of boogie-laced blues and tasty jams. Wainwright, who rightfully claimed the Pinetop Perkins Piano Player of the Year for 2013 and 2014, leads this fantastic eight person band called, the Wildroots through thirteen spirited New Orleans flavored selections. Hearing him rip into the piano while laying down a truck load of boogie woogie on “Two Lane Blacktop Revisited” will leave no doubt why he pulled down that award twice already.

It’s amazing to hear the different directions to which Wainwright can take his voice. From a comforting tone, in the spiritually moving “When the Day is Done”, to being bad-ass and sinister, in “Reapers on the Prowl”, where he goes all “Wolfman Jack” in his conversation with the Grim Reaper. Guitarist JP Soars, fellow Southern Hospitality collaborator with Wainwright is a guest performer on “The Devils Bite”, a Cab Calloway influenced tune. This dark and rootsy track brings to mind Nick Cave’s Murder Ballads album.

The slow and easy “WildRoot Farm” makes for a cool little duet featuring Patricia Ann Dees. This one will have you on the front porch sipping iced tea on a hot summer day, taking in the aromas of a freshly prepared southern style dinner. Stephen Kampa rolls out a sweet harmonica accompaniment which totally sets that laid-back mood.

BoomTown culminates into an amazing instrumental jam at the end with “WildRoot Rumble”. This is my favorite track on the album, and I play it loud. Stephen Dees and Nick Black bring it on with rambling guitars, Kampa kills it on harmonica, Billy Dean keeps the furious beat going on drums, and Wainwright pounds the hell out of the piano. This is what it’s all about!

For more information about Victor Wainwright visit his website at http://victorwainwright.com/

http://phillycheezeblues.blogspot.com/

Saturday, June 27, 2015

Mike Sands - Shot of Reality

2014 – n/a

By Phillip Smith; June 27, 2015

Songwriter/guitarist/vocalist Mike Sands dishes out lush positively-charged servings of power pop on his album, Shot of Reality. This is the kind of music one can just settle in for a nice listen with. Sands is joined by Paul Avgerinos for backing vocals and performances on all other instruments.

It’s easy to get lost in “The Wait is Over”. The poppy rhythm and relaxed vocals are reminiscent of Matthew Sweet. Full of catchy riffs and inspirational lyrics about starting over, “Wander No More” reminds me a lot of REM, one of my all-time favorite bands. It’s no doubt I was instantly drawn in from the first listen. Another fantastic song with that REM texture is the twangy “Closet of Skeletons”. Smooth harmonies and the infectious melody make this one a damn cool tune. Sands delivers the goods again on “Love Letters”, a poetically soulful ballad about an empty relationship. This is still swimming in my head.

Shot of Reality has a certain raw charm about it, reminiscent of the great garage bands of the Sixties. The songwriting is reflective of real life and the music is tight and solid.

http://phillycheezeblues.blogspot.com/

For more information on Mike Sands, visit his website http://www.mikesandsmusic.com/

Sunday, June 21, 2015

Devon Allman - Live at Irish District Music & Arts Festival - Cedar Rapids, IA - June 20, 2015

All Photos by Phillip Smith

Saturday, June 20, 2015

Jaime Wyatt - From Outer Space

2015 – n/a

By Phillip Smith; June 20, 2015

From Outer Space, the latest album from Jaime Wyatt is chock full of rootsy music coated lightly with a layer of pop, covered with crafty lyrics infused with a jolt of Outlaw/Punk attitude. Wyatt has a distinct flair for songwriting and a devil-may-care style which makes her music so easy to digest and leave one hungry to hear more. Mark Howard (Lucinda Williams, Tom Waits, REM, U2, Willie Nelson, Bob Dylan) being brought onboard to produce, was an excellent decision.

Wyatt leads the album off with “Marijuana Man”, a fun Dylanesque alt-country track about a free-wheelin’ hippie encounter gone wrong. She rips it up on guitar and rocks out on “Twisted”, a vibrant song which brings to mind the music of one of my favorite all-female rock bands from the Nineties, The Donnas. I love the way “I Want to be Your Girl”, hits the ground running and keeps that energy lifted from start to finish. This song puts me in my happy place. Like a forgotten song off Paul Simon’s Graceland album, “Stone Hotel” is definitely one of the best on this album. Daryl Johnson keeps a funky bassline going while Don Heffington commandeers the driving drum pulse perfectly fit for Wyatt’s poetic jailhouse themed lyrics. This one is very nice indeed.

From Outer Space is quite lovely and no less than outstanding. Wyatt is sure to be a force of reckoning in the music world, and I look forward to hearing more from her in the future.

http://phillycheezeblues.blogspot.com/

Saturday, June 13, 2015

Mike Zito - Greyhound : From the Archives #18

2011 – Eclecto Groove Records

By Phillip Smith; Aug. 20, 2011 *

Mike Zito’s newest release, Greyhound, spinning in the CD player, along with a large cup of hot coffee and the morning newspaper, makes for a near perfect Saturday morning. Greyhound is quite the impressive collection of songs. Zito is a master at telling a story within a song. With a similar writing technique to John Hiatt, he seamlessly uses a blend of an assorted Americana musical styles to ward off monotony.

Growing up in St. Louis, Missouri, Zito boasts a plethora of musical influences. You can definitely tell from just listening to his songs. As the opening track on the album, “Roll On” plays, it fulfills its obligation to pull the listener immediately in, and promises more good music to come. It’s not hard to imagine Bob Dylan performing this song. From the intro of “Judgment Day“, through the end, the song is laced with Jimi Hendrix-like licks. The guitar solo is phenomenal, reminding us Zito is as much a guitarist as he is a singer/song-writer. As “Judgment Day” seems to be a Hendrix tribute, “Show me the Way” has that classic early ZZ Top sound. It’s a bit funky, but gritty, but with a Seventies blues rock vibe.

It‘s something special when an artist can make you feel emotion through their music. Feeling his pain, one can almost imagine tears welling up in Zito‘s eyes as he begs his woman not to leave him in “Please, Please, Please”, a wonderful slow tempo track dripping with heart-felt emotion.

Favorite cuts also include, “Until the Day I Die” a ditty about commitment, has a contagious rhythm that’s quite enjoyable.. My feet can’t help but tap the floor when it starts playing. There’s also “Motel Blues”, an acoustic ballad expressing the drudgery of motel life, wearing shoes to bed, and seedy neighbors. Not quite the toe-tapper, but an interestingly good song anyway.

Some albums are a hodgepodge of music making no sense as to the order and arrangement of songs. Greyhound is well constructed, and has a great flow from one song to the next. It really is an impressive album. I can’t wait until next Saturday.

* Originally published for Blues Revue Magazine on www.bluesrevue.com