Showing posts with label PhillyCheeze Blues. Show all posts
Showing posts with label PhillyCheeze Blues. Show all posts

Saturday, May 11, 2019

#391 : Robert Connely Farr & the Rebeltone Boys - Dirty South Blues

2018 – self-released
By Phillip Smith; May 11, 2019

Growing up in Bolton, Mississippi (hometown of Charlie Patton and The Mississippi Sheiks) and mentored by Jimmy ‘Duck’ Holmes, puts Robert Connely Farr in a righteous spot to carry the torch for Bentonia blues.  Now a resident of Vancouver, Farr enlisted the expertise of Leeroy Stagger to produce this ten-track album featuring nine tremendous original songs, called Dirty South Blues.  Backing Farr, is the Rebeltone Boys, comprised of Evan Ushenko on lead guitar, Tyson Maiko on bass, Kyle Harmon on drums, and Michael Ayotte on keys.

The hypnotic rolling rhythm of “Ode to the Lonesome” quickly garners my attention as Farr poignantly reflects upon his fortress of solitude at the Cyprus Swamp.  Title-track “Dirty South Blues” gets real quite fast with Farr’s matter-of-fact lyrics accented by gobs of swampy slide guitar.  “Magnolia” is captivating and gut-wrenchingly dark.  Ayotte contributes a thick layer of ominous keys adding to the intensity. 

Farr pays homage to the oldest surviving juke joint in Mississippi with the wonderfully gritty original “Blue Front Café”.  The Blue Front Café, owned by Jimmy ‘Duck’ Holmes is one of the many sites on the Mississippi Blues Trail, and is still in operation today.  Holmes even shares writing credits with Farr, on “Just Jive Blues”, a ripping piano-heavy blues tune with lots of twang.  This is a fun one indeed.  The way Farr tackles Skip James’ “Hard Time Killing Floor Blues” is plumb terrific.

Dirty South Blues is one rock-solid record of blues, and Robert Connely Farr is the real deal.   


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For more information about the artist, visit this website..  https://www.robertconnelyfarr.com



Saturday, April 27, 2019

#389 : Ross Osteen Band - Williwaw




2019 – Ross Osteen Band

By Phillip Smith; April 27, 2019

For blues served sizzling hot, check out the latest release from the Ross Osteen Band called Williwaw.  This album packs quite a wallop.  Osteen not only deliver the goods on guitar and slide, but his vocals has that Robert Plant range and sounds magnificent.  The band also consists of drummer Patrick Gaynor, and bassist Jim Vint.  Together, this trio is an absolute force to be reckoned with.

Their cover of Muddy Waters’ “Mannish Boy” delightfully kicks off the album.  From this point on, I knew I was in for some serious blues.  “Little Rooster”, performed with the fearless attitude of George Thorogood, is another song that cooks. It’s the real deal indeed.  “Broom” is spectacular too.  If I didn’t know better, I would think I was listening to Led Zeppelin.  Osteen’s rock-star vocals take charge as he pours out some of the best slide guitar you’ll hear.  The Phish fan in me loves the closing instrumental, “Jellyfish Jam”.  Its hypnotic rhythm and playful attitude draw me right in.  It is definitely one for the jam band enthusiasts to explore.  

Williwaw certainly makes my list of favorites for the year so far.

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For more information about the artist, visit this website.. www.rossosteen.com  

Friday, April 19, 2019

#387 : Alexis P. Suter Band - Be Love




2019 – Hipbone Records

By Phillip Smith; April 19, 2019

Be Love, the latest album from Alexis P. Suter Band is one hot record.  Suter, who carved out her career in New York, opening for The Levon Helm Band and B.B. King, knocks another recording out of the park with her powerful and soulful voice. Her band consists of Michael Louis (guitar,vocals,bass), Vicki Bell (vocals), and Ray Grappone (drums).

Suter pines for her loved one as she pours a smooth layer of deep Sixties soul on ballad “Lips Hips and Fingertips”.  The song has a warm nostalgic essence about it.  A revving rhythm topped with some bodacious slide guitar brings some fast-paced blues to ”Little Back Rider”.  It really hits the spot.  I love the hip-swinging blues of “Sway”.  This funk-filled line dance number is an absolute favorite.  I love the slow groove and cosmic atmosphere of “Dog Eat Dog”.  There’s a definite George Clinton/Eddie Hazel influence on the front end.  When it come to the title track, “Be Love”, there’s a lot of energy flowing through.  This is a sure-fire blues-rocker that begs to be heard loud.  Filled with horns, keys, and searing guitar, the song jams indeed.

Be Love, from the Alexis P Suter Band is a hit in my book.        



Saturday, April 6, 2019

#385 : Kenny “Beedy Eyes” Smith & The House Bumpers - Drop the Hammer




2019 – Big Eye Records

By Phillip Smith; April, 6, 2019

The new disc, Drop the Hammer from Kenny “Beedy Eyes” Smith & the House Bumpers has really caught my attention.  The son of the late great Grammy Award-winning bluesman Willie “Big Eyes” Smith , Kenny grew up in the same Chicago house Muddy Waters once lived. With this new album Smith reserves a few songs to pay homage to traditional blues.  Then he steps out of the box and creates his own universe of sound as he explores the boundaries of contemporary blues.  Smith steers this ship from in-front of the mic and behind the drums.  The rest of his cutting-edge ensemble, The House Bumpers consists of Billy Flynn and Ari Seder on guitar, Omar Coleman on harmonica, Felton Crews on bass, and Luca Chiellini on piano.  Smith also enlists heavy-hitters Greg Guy (son of Buddy Guy), Sugar Blue, Greg Guy, and Nelson Strange, along with vocalists Kimberly Johnson, Dana Gordon, and Andrea Miologos.

“Head Pounder” kicks the album off with a slow-burning, multi-layered North Mississippi-esque rhythm.  It’s laced with blasts of harp, slide guitar, and the unique sound of sitar courtesy of Flynn.  Smith’s children, Mae, Clara, and Teddy contribute accompanying vocals to “Hey Daddy”, a happy and heartwarming original about parenthood.  Kenny drops a payload of deliciously-deep psychedelic funk on title-track “Drop the Hammer”.  The groove is so powerful, its hard to escape its gravitational force.  I also get immersed in the funky trance blues Smith and Guy create in “What in the World” with Seder, Crews and Chellini.  I love the way “Puppet on a String” opens from the kit.  This is another one that absolutely cooks, in a vintage Elvis “A Little Less Conversation” kind of way.  The enticing groove on “One Big Frown” sizzles with Strange on guitar.  Johnson’s powerful and soulful vocals take command. 

Kenny Smith has certainly created a noteworthy album with Drop the Hammer.  It is one hundred percent fresh and baptized in the blues.

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For more information about the artist, visit this website: https://beedyeyes.com  

Saturday, February 23, 2019

#377 : Atomic Road Kings - Clean Up the Blood




2019 – Bigtone Records


By Phillip Smith; Feb. 23, 2019



At the core of the Atomic Road Kings sits vocalist/multi-instrumentalist ‘Big’ Jon Atkinson (Kim Wilson) and master harp player Eric ‘Jailhouse’ VonHerzen (Walter Trout, Social Distortion, Kid Ramos).  Together, with bassist Bill Stuve, drummer Malachi Johnson, and guitarists Scot Smart and Danny Michel, they bring a robust, vintage blues sound into the studio to create their debut album, Clean Up the Blood. The album contains eleven original songs, and one traditional cover.  Recorded live at Atkinson’s studio using vintage analog gear from the Forties and Fifties, the album has an authentic retro vibe to it and sounds terrific.



Stuve’s slow blues bassline and Atkinson’s commanding vocals make “Rumors” such a cool song.  Tony Delgado, on lead guitar, gives a smoking performance too.  I love “Vibrations” as well.  This throw-back with a Howlin’ Wolf vibe features a splendid accompaniment from pianist Robert Welch.  The ominous nature of title-track “Clean Up the Blood” digs deep to the bone.  Atkinson and VonHerzen are definitely at the top of their game when it comes to composing timeless-in-nature blues songs.  Von Herzen keeps the rhythm rolling on “Two Sided Story” with his magnificent harp playing.  More bluesy goodness ensues with “Back Down South”.



Atomic Road Kings is definitely a band for the blues enthusiasts to keep an eye on.  They are the real deal indeed.     

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Saturday, January 26, 2019

#372 : Jim Dan Dee - Jim Dan Dee



2018 –Jim Dan Dee

By Phillip Smith; January 26, 2019

Jim Dan Dee, the debut self-titled album from Toronto-based Jim Dan Dee is a high-energy and bluesy listen.  The band name itself stems from the expression, “Everything is just Jim Dandy”, and defines the essence of their music. The phrase also defines the front-man singer/guitarist Jim Stefanuk aka Jim Dan Dee.   Along with Stefanuk, the rest of the band is comprised of bassist Brian McCarthy, saxophonist Jason “Bobby” Sewerynek, and drummer Shawn Royal. 

With Royal and McCarthy dishing out a heart-pounding pulse, Stefanuk drives “Save My Soul” with a fearless hard-driving fashion, filling the song with catchy-as-hell riffs.  I love the sax accompaniment, and the angelic backing vocals from “Sweet” Jules Cordosa.  “Payday” packs quite a wallop too.   A fistful of swagger and Jim’s gravelly take-charge voice take this song to the next level.  “When You Move Like That” shines with the spirit of John Lee Hooker as it races through the speakers.  The jam on this is very nice indeed, filled with backing keys played by Jesse Karwat and blasts of sax to punch it up.  Jim Dan Dee takes a suave yet ominous approach with “Killer”.  This is such a fabulously composed song, and Jim’s guitar prowess is styleful and captivating.  Stefanuk confronts Old Scratch himself in “Walking Shoes”, as he closes the album out with a little bit of grease and shaker full of psychedelia.  It’s terrific.     

Bulletproof and dripping with cool, Jim Dan Dee has surely been one my favorite surprises this year.  It’s quite the album.

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For more information about the artist, visit this website.. www.jimdandee.com 

Saturday, January 12, 2019

#370 : Little Freddie King - Fried Rice & Chicken



2018 – Orleans Records

By Phillip Smith; January 13, 2019

At seventy-eight, Little Freddie King is still ferociously pumping out raw, live blues in New Orleans at The DBA, and BJ’s Lounge.  His latest album, Fried Rice & Chicken is derived from six tracks off his 1996 release Swamp Boogie, and five songs from his 2000 in-concert album Sing Sang Sung. For those like me who missed the boat on those two albums, this is a great one to pick up. 

For the Swamp Boogie half, King is joined by bassists Earl Stanley and Robert Wilson, upright bassist Jason Sipher, drummers Kerry Brown and Bradley Wisham, and ‘Crazy’ Rick Allen on the Wurlitzer electric piano and organ.  The album opens with a splendidly funky instrumental cover of Jr. Walker and the All Stars’ “Cleo’s Back”.  King plays this with a slice old school twang, as Allen drizzles the song with an early Stax/Booker T. Jones vibe.  King also tears it up on Ray Charles’ “What’d I Say”, the other cover on the Swamp Boogie half of the record.  I love “The Great Chinese”.  This pseudo-instrumental has a definite Champs (“Tequilla”) influence.  Its rhythm pulls me in for a funky ride.  Another endearing instrumental, “Kinky Cotton Fields” is delivered with a western, cowboy twang.

The second half of Fried Rice & Chicken features recordings from two 1999 shows at Dream Palace in New Orleans.  The musicians playing with King on these tracks consist of long-time collaborator ‘Wacko’ Wade Wright on drums, Anthony Anderson on electric bass, and Bobby Lewis DiTullio on harmonica.  This act kicks off in a no-holds-barred way with a fantastic hardcore blues jam called “Sing Sang Sung”. King continues to rip it up on guitar, DiTullio kills it on harp, and Wright keeps the pulse adrenalized on drums.  Singing from the heart, King splendidly covers Jimmy Reed’s 1957 classic “Honest I Do”.   He also pays a rockin’ tribute to his namesake, Freddie King on “Hide Away”.  The album comes to a close with the funky country blues original “Bad Chicken”.  I can feel the smiles on the musicians’ faces, every time I hear it.  

Fried Rice & Chicken is a pure gem, and its rawness fascinates me.

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For more information about the artist, visit this website: https://littlefreddieking.com  


Saturday, February 10, 2018

#319 : Jim Shaneberger Band - Above and Below


2017 – Jim Shaneberger

By Phillip Smith; Feb. 10, 2018


Above and Below, the second release from the Jim Shaneberger Band is an immensely invigorating blues-rock album.  This West Michigan trio comprised of Shaneberger on lead guitar and vocals, bassist Jeffrey Baldus, and drummer Steve Harris are a powerhouse band with deep Zeppelin and Hendrix roots.     

In a flash, they instantly tear out the gate with the magnificent “My Way”.  Shaneberger pulls me tightly in with his massive funky riffs and psychedelic guitar licks.  On the thought-provoking rocker “Indifference” a song inspired by the 2016 shootings of Philandro Castile and Alton Sterling, Shaneberger sings “How many lives must be lost before we set things right?”.  Shaneberger’s guitar mastery is duly noted as Harris tears off a tremendous performance on drums sending this edgy rocker of a track past ten, and right to eleven. The momentum only grows as adrenalin continues to freely flow through the veins of Texas-style blues rocker “Above and Below”. 

I love the slow-paced Black Crowes/Aerosmith vibe running through the beautifully played “Bright Side”.  Shaneberger’s vocals are smooth and cool.  With a SRV influence at its epicenter and a downright funky groove, “I Can’t Sleep” brings a big smile to my face.  I’m also a huge fan of the funky instrumental jam “Just Sayin’ Bro”.  Baldus’ bass is simply amazing on this.

It’s impossible to avoid the trance-inducing hill country blues rhythm threaded through “Way Down South”.  It holds the door open quite nicely for Shaneberger’s shredding guitar solo. It’s plumb terrific.

From start to finish, Jim Shaneberger Band is tight as a drum and solid as titanium.  It doesn’t get much better than Above and Below for fans of blues-rock.  

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Monday, September 4, 2017

25th Annual Bowlful of Blues - Sep. 3, 2017


The Fred Maytag Bowl
Maytag Park
Newton, Iowa 
All photos by Phillip Smith; Sep 03, 2017


I don't think I could have picked a better place to spend the day before Labor Day, than being immersed in the blues at Maytag Park in Newton, Iowa.  This was my first visit to the Bowlful of Blues Festival, and I hope to attend many more times in the future.  Unfortunately, I missed the opening act, Juliana and a Soul Purpose, but I did arrive just in time to catch the spectacular ninety minute set from The Norman Jackson Band in its entirety.   Having just reviewed his recent album, It's the Drummers Fault,  I was most excited to see this band from Springfield, Missouri perform live.  (click here to check out that review).   







Keeping the momentum going between the main acts,  Iowa Blues Hall of Fame member, Rob Lumbard entertained the audience on acoustic guitar with a treasure-trove of songs. 

Dwayne Dopsie and the Zydeco Hellraisers took the stage for a captivating performance, bringing a small taste of Mardi Gras to the middle of Iowa.  Following them, the great Mato Nanji and Indigenous graced the stage and gobsmacked me with his guitar prowess.  (click here to check out my 2013 review for Otis Taylor's My World is Gone album, which features Mato Nanji).      Closing out the evening, was  New York's Jane Lee Hooker, who played an amazing set of blues-rock.  They were definitely a force to be reckoned with.



The Norman Jackson Band


Norman Jackson

Norman Jackson, Danny Williams,
and Rick Shortt

Norman Jackson

Rick Shortt

Norman Jackson

Danny Williams

Norman Jackson and Rick Shortt

Rick Shortt

Norman Jackson, Rick Shortt, and
Danny Williams

Norman Jackson

Rick Shortt

Norman Jackson and Rick Shortt

Rick Shortt

Rick Shortt

Norman Jackson and Rick Shortt

Norman Jackson, Ron Brown, and
Rick Shortt

Ron Brown, Norman Jackson, Rick Shortt, and
Danny Williams

Ron Brown

Ron Brown and Rick Shortt

Norman Jackson

   

Rob Lumbard


Rob Lumbard

Rob Lumbard

Rob Lumbard


Dwayne Dopsie and the Zydeco Hellraisers


Paul LaFleur and Dee Fleming

Paul LaFleur , Dee Fleming
and Dwayne Dopsie

Dwayne Dopsie

Dwayne Dopsie

Dwayne Dopsie

Dwayne Dopsie

Paul LaFleur and Dwayne Dopsie

Dee Fleming

Dwayne Dopsie, Dion Pierre, and Damon Sonnier

Michael Doherty

Michael Doherty

Damon Sonnier

Dee Fleming

Dwayne Dopsie



Mato Nanji and Indigenious

Mato Nanji



Douglas Platero

Bronson Begay


Mato Nanji

Mato Nanji


Douglas Platero

Mato Nanji

Mato Nanji

Mato Nanji

Mato Nanji

Mato Nanji

Mato Nanji

Mato Nanji

Douglas Platero

Bronson Begay

Mato Nanji and Douglas Platero

Mato Nanji



Jane Lee Hooker


Dana “Danger” Athens

Tracy Hightop

Dana “Danger” Athens

Tina "T-Bone" Gorin

Tracy Hightop

Melissa "Cool Whip" Houston

Hail Mary Z,  Dana “Danger” Athens, and
Tracy Hightop

Dana “Danger” Athens, Melissa "Cool Whip" Houston
and Tracy Hightop

Jane Lee Hooker

Dana “Danger” Athens and Tracy Hightop

Tina "T-Bone" Gorin and Dana “Danger” Athens

Tina "T-Bone Gorin

Melissa "Cool Whip" Houston

Tracy Hightop

Tracy Hightop and Hail Mary Z