#619 : Johnny Wheels and The Swamp Donkeys - Keep on Pushin' (PhillyCheezeBlues.Blogspot.com)

 

2022 – Lightning in a Bottle Records

By Phillip Smith; June 17, 2023

Original source : phillycheezeblues.blogspot.com

A magical energy abundantly flows from the latest album Keep on Pushin’ by Johnny Wheels and the Swamp Donkeys a Finalist Band in the 2020 International Blues Challenge.   The music this tight-knit ensemble cooks up is a special blend of Blues, R & B, Rock, Soul, and Funk.  With Johnny “Wheels” Kennicott taking on the frontman position on vocals and harmonica, the rest of this extraordinary band is comprised of guitarist Brandon Logan, drummer Doug Knoyle, guitarist Michael Rabe, bassist Taylor Frazier..  

I love the opening track “On the Run” with its funky little rhythm and punchy horns.  Wheels sings it smooth but keeps a slight rasp in his back pocket for when it’s needed on this briefcase full of Memphis-stye soul.  Logan adds heat to the song on guitar.  This track certainly sets the free-flowing vibe for the rest of the album.  “George Fisk” keeps the flow open wide, with a big jam-friendly convergence of dance-inducing sound.  It is wonderful.  I dig the Funkadelic “Maggot Brain”-influenced intro on “This Time”.  This blues-soaked rocker about starting over slowly turns the heat up until you can feel the sweat.  Wheels conjures up a stellar performance on a wave of sixties-style funk on “Light Me Up (Hold Me In)”.  Topped with a swinging organ and horn accompaniment, this feel-good track brings joy to me.  Lucious blasts of brass, smoldering harp, a riveting beat, and a searing guitar performance come together for the brilliant execution of “Finding your Way Back Home”.  It’s an amazing listen.  The First Lady of Portland Blues LaRhonda Steele joins the band on vocals for a soulful, blues-soaked closer “Time to Bail (Keep on Pushin’).  This heart-felt tune about moving forward is an open letter of encouragement.    

Johnny Wheels and the Swamp Donkeys land in the same category as two of my favorite artists, Ghost Town Blues Band, and John Nemeth.  Currently in heavy-rotation for my listening pleasure, Keep on Pushin’ is a splendid record from beginning to end.                     

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TRACK LISTINGS

 

1. On the Run

2. George Fisk

3. This Time

4. As Long as You’re Here

5. Light Me Up (Hold Me In)

6.The Fall

7. Finding Your Way Back Home

8. Mizz Karman

9. Time to Bail (Keep on Pushin’)

 

For more information about Johnny Wheels and The Swamp Donkeys visit their website at :  https://johnnywheelsband.com/

 

#361 : Ms Zeno the Mojo Queen - Back in Love

2018 –Blue Lotus Recordings

By Phillip Smith; Nov. 4, 2018

I absolutely love the new release Back in Love, from Verlinda Zeno aka Ms Zeno the Mojo Queen.  I stumbled upon her music several weeks ago through a podcast I frequently listen to called Radio Memphis, hosted by Ric Chetter.  From the moment she started singing, I knew I had to purchase her new disc.  Her voice, soulful and powerful reminds me of a few of personal favorites: Aretha Franklin, Tina Turner and Sharon Jones.  Backed by co-producers Paul Niehaus IV and Kevin O’Connor on almost every instrument one could think of, and Gene Jackson on vocals, the wonderful Ms Zeno brings her A-game to every track.   

With a big blast of horns and a hint of strings in the back, title track, “Back in Love” initiates this record with that glorious Stax vibe and features guest vocalist Roland Johnson. “That’s How I Know” is electrically charged and dripping with soul.  Ms Zeno sings this with abundantly sweet emotion.  G Weevil makes a guest appearance on guitar for “Willie Brown”.  This is hands-down, one fantastic blues song, and I am totally smitten by her vocal delivery.  The lady can sing the blues, and that is a fact.  Tom Martin ( Zydedo Crawdaddys)  stops by with accordion in hand to lend a bit of Creole seasoning to the wonderfully funky “Mojo Queen”.  Like a heart-wrenching Otis Redding song, “Love is Like a Flower” is an amazing song and brilliantly vocalized.  The masterful harmonica stylings of Brandon Santini sets a roadhouse blues atmosphere to “Call My Name”.  An unescapable rhythm draws me right in, like a mosquito to a porch light.  “Gotta Get Paid”, swimming in hot buttery soul and slathered in high-energy funk, firmly keeps me glued to the speakers. 

One of my favorite albums that I’ve heard this year, Ms Zeno’s Back in Love is my pick for soul album of the year.  It’s absolutely fabulous!

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#614 : Lil' Jimmy Reed with Ben Levin - Back to Baton Rouge (PhillyCheezeBlues.Blogspot.com)

 

2023 – Nola Blue Records

By Phillip Smith; May 20, 2023

Release Date : May 19, 2023

Original source : phillycheezeblues.blogspot.com

 

At eighty-five years old, Leon Atkins aka Lil’ Jimmy Reed has released a new album with twenty-three-year-old blues pianist extraordinaire Ben Levin, and it is fantastic.  The record is called Back to Baton Rouge and was recorded with guitarist Aron Levin (father of Ben Levin), bassist Walter Cash Jr., and drummers Ricky Nye and Miss Shorty Starr.  Atkins, who cut his teeth in the music world while playing the Chitlin Circuit during the Fifties, keeps the blues-torch burning from that era as he injects that essence into his writing and performances.  It was during that time, Atkins was asked to fill in for Jimmy Reed and play with Reed’s band on a show in Baton Rouge, Louisiana.  Reed had reportedly drunk a bit too much and was unable to perform.  Atkins covered for Reed, and the show went very well.  Soon after Atkins became known as Lil’ Jimmy Reed.    

The album starts off with an attention-grabbing cover of Jimmy Reed’s “Down in Virginia”.  Akins’ smokey vocals sound great as he plays this one bright and clean.  Levin’s piano accompaniment is a delight too.  This is one of my favorite cuts on this record.  Two other Jimmy Reed gems are covered back-to back: “I’m the Man Down There” and “A String to Your Heart”.  They surely make an honorable tribute to the blues-great.  

“Wish You Wouldn’t”, is a terrific piano-centric blues original written by Ben and Aron Levin.  The guitar licks Lil’ Jimmy perfectly injects into the song sound great as he sings about his lady drinking too much, chewing tobacco, and fighting.  A strong Howlin’ Wolf vibe woos me over with the steady-rolling original “Engine Light”.   The ominous feeling Atkins projects on this tale of a possible breakdown digs in deep to the bone.  A luscious cover of Slim Harpo’s “Mailbox Blues” brings the album to a close.

Back to Baton Rouge packs ten outstanding traditional blues tracks into one fabulous album.  I hope to hear more collaborations between Lil’ Jimmy Reed and Ben Levin in the future.

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I had a special opportunity last week to see Lil’ Jimmy Reed and Ben Levin perform together in Memphis as part of the BratGirlmedia Blues Music Awards Showcase at the Rum Boogie Café.  It was a glorious night for music. Below are a couple of photos I captured of Lil’ Jimmy and Ben that evening.   

 

Lil' Jimmy Reed , Ben Levin

Rodd Bland, Jon Hay, Lil' Jimmy Reed

 

 

 

This album available on Bandcamp

John Mayall - Find a Way to Care

2015 –Forty Below Records

By Phillip Smith; Aug. 22, 2015

It makes me happy to see John Mayall return to the studio and record another sensational blues album.  Find a Way to Care is masterfully written and exquisitely performed.  Returning to the studio with Mayall is guitarist Rocky Athas, bassist Greg Rzab, and drummer Jay Davenport, who were all present on his previous studio album A Special Life.  

Mayall breathes a new funky and soulful life into Percy Mayfield’s “The River’s Invitation”.  With Mayall manning the keyboard, and a terrific horn section at his side, this song takes on a sort of “Bar-Kays Soul Finger” vibe.  I dig this one a lot.  Riding this same wave of feel-good music, is the vibrant Lightning Hopkins cover, “I Feel So Bad”, which makes me feel so good when I give it a listen. 

There’s no shortage of traditional blues here either.  Mayall serves up nothing but the best of it as he splendidly tackles Junior Parker’s “Mother in Law Blues”,  Muddy Water’s “Long Distance Call”, and Charles Brown’s “Drifting Blues”.   

I’m quickly drawn in to the music on “War We Wage” a heady guitar blues track by acclaimed UK guitarist Matt Schofield.  It’s hard to beat the combination of Mayall’s keys alongside Athas on guitar.  They just sound so good together.  Mayall brings the album to a close, busting out some fabulous barrel house piano blues on “Crazy Lady”.

Mayall is known as the “Godfather of British Blues” for a good reason and his legacy continues with Find a Way to Care.      

http://phillycheezeblues.blogspot.com/

For more info on John Mayall, visit his website http://www.johnmayall.com/

Angel Forrest - Angel’s 11

2016 – Ad Litteram

By Phillip Smith; April 2, 2016

The latest album, Angel’s 11 by Quebec songstress Angel Forrest is quite a terrific record.  It features eleven original blues-laden tracks, each spotlighting a different guitarist to back Forrest’s powerful vocals. 

There’s something intriguing about the topic of dodging the law, when it comes to music and song.  That’s the hook in “Hangman”, featuring Johnny Flash on guitar.  This ripping track satisfies my craving for both blues-rock and outlaw country.  “Tumbleweed”, with Dimitri Lebel-Alexandre is another really cool song with that western vibe.  Forrest beautifully sings this heartfelt melody about longing for a lost love.    

“Spoil Me Up” is a sexy and soulful treat with a delightful horn arrangement.  Steve Strongman plays this one with precision. The lady sings the blues so good in “Let Me Go”, featuring Kim Greenwood on guitar.  Greenwood is a monster on the guitar, and when he lets loose, it sounds fantastic.  Forrest and guitarist Corey Diabo give an electric performance on the manic “Wildflower”.  While Forrest belts out a powerful delivery to “Touch Of My Hand”, axe-man Shane Murphy injects a heavy dose of psyche-blues for some really trippy results.

The other guest guitarists are Rob MacDonald, Ricky Paquette, Paul DesLauriers, Steve Hill, and Adam Karch.  Angel’s 11 is such a fantastic album, musically and lyrically, it definitely lands as one of my favorites of the year. 

Contino – Back Porch Dogma

By Phillip Smith

Contino may just be one of the coolest bands sporting an accordion to hit the scene.  Led by Pete Contino, son of legendary accordionist, Dick Contino who gave us ‘Lady of Spain’ and ‘Beer Barrel Polka’, this quintet intertwines Blues, Zydeco, Jazz and Americana music to produce an album full of spirited songs, rich juicy melodies, and solid vocals. 

Even with accordion in hand, their cover of Lim Liban’s ‘I Don’t Want to Know’ is straight up blues.  Al Ek wails away on the harp, providing near perfect accompaniment to Contino’s vocals on this one about letting go of the past.   Speaking of Contino’s vocals, they really stand out on their cover of Willie Love’s ‘V-8 Ford’.  Ek belts out some great harmonica again, and Billie Truitt has a nice little solo on keyboards to boot.

They break out the Cajun seasonings on ‘Zydeco Train’, and ‘Monkey’.   ‘Zydeco Train’ makes me want to throw some crawfish in a big ol’ pot, boil ‘em up, and invite some friends over for a crawfish boil.  While Contino and Truitt take on the heaviest load, you can’t deny that upright bass providing that big steady beat.  What a cool sound.  ‘Monkey’ a song about infatuation, has a more chilled vibe to it.  It’s slower and relaxed and will have you rooting for the man and the object of his desire to make a connection.

Falling into neither the Blues nor Zydeco category, “Three Cool Cats” originally recorded by the Coasters and covered by the Beatles as well in 1962, is hip and beat.  It has a way of creeping into the subconscious mind. 

I’m very impressed with this album.  It held my interest, sounded really good, and is good for replay-ability. 

#633: Willie J Laws Jr. - Too Much Blues (PhillyCheezeBlues.Blogspot.com)

2023 – Pilot Light Records

By Phillip Smith; Sep. 6, 2023

Known as the “Last Prophet of the Funky Texas Blues”, Willie J Laws Jr., certainly lives up to his title in regards to his latest album Too Much Blues.  His blend of blues is enriched with a blast of funkdafied grooves, and I like it a lot.  The record, produced by Paul Nelson, features Laws on guitar and vocals, with Dave Johnson on bass, Brooks Milgate on keys/piano/organ/synth, and Justin Blackburn on drums/percussion.

Laws’ vocals ring out with smooth finesse as he breaks out his briefcase of soulful blues on “Better off Blue”.  “Stuck in Traffic” is a clever piece about the frustration many of us face each day.  I love the jazzy instrumental play between Laws on guitar and Milgate on keys.  Laws’ musical approach on this song reminds me of George Benson,  “Getcha’ Knee Off My Neck” invokes a classic George Clinton vibe to it.  With Erik Lawrence on sax, and Mark Berney on trumpet, Laws leads his ensemble to a large-scale P-Funk track.  His puts his own unique spin on his cover of Willie Dixon’s “I Want to be Loved” and it sounds great.  “Sorry Charlie” is a bodacious bowlful of real-deal blues featuring Jerry Portnoy on harp along with Paul Nelson on slide guitar.  The album closes with Laws’ velvety voice breaking out a stunning cover of The Isley Brothers 1973 hit song “Who’s That Lady?”. 

Too Much Blues has everything it needs to be nominated for Best Soul Blues album.  It really is a terrific recording. 

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For more information about the artist, visit this website : https://www.williejlawsband.com/

 

  

#308 : The Jimmy Zee Band - What You See is What You Get

2017 –Jimmy Zee

Release Date : July 1, 2017

By Phillip Smith; Dec 15, 2017

What You See is What You Get, the sixth album from Vancouver, BC’s Jimmy Zee is a smoking hot album of blues-rock. Zee’s stand-out vocals are packed with character and a whole lot of rasp.  He sounds great alongside the guitar stylings of Rob MacDonald and Tim Porter.  The Jimmy Zee Band also consists of singer Nadine States, bassist Miles Hill, drummer Joel Fountain, Harpdog Brown on harmonica, Darryl Havers on keys, and saxophonist Steve Hilliam.

A cool bluesy riff hooks me fast in title track, “What You See is What You Get” and sets the stage for a little swampy fun.  I love the harmonica Harpdog doles out in the twangy country-fried “Backroads”.  The backwoods energy changes in a most interesting way when Rick Threat drops by to inject his high-voltage free-flowing rap verses for the finale.   Goosebumps shoot up and down my spine when I hear the opening notes of “I Ride Alone”.  With guitars blazing, drums crashing, and harmonica blasting, the album plunges into fourth gear with Zee delivering the goods with ferocity and true grit.  This rocking anthem, topped off with Cree-Aboriginal chants from States, is absolutely brilliant. 

The sweet funky groove of “Money” slides swiftly in as Hilliam steps in on baritone sax.  Porter tears it up on guitar to put the icing on this stellar tightly wound jam. The song segues seamlessly right into another one of my favorites, “My Old Lady is a Freakshow”.  Revving from the get-go, the hook is groovy and unavoidably contagious.  Like the great Joe Cocker, Zee’s performance is exuberant and hard-hitting. 

The Jimmy Zee Band’s polished and unique spin on blues-rock is what makes What You See is What You Get such a fabulous listen.     

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#339 : Eric Corne - Happy Songs for the Apocalypse

2018 – Forty Below Records

By Phillip Smith; June 30, 2018

Eric Corne, founder and president of Forty Below Records, has brought fabulous new artists like Sam Morrow and Jaime Wyatt to my attention and recorded established favorites such as John Mayall, Walter Trout, Joe Walsh, Lucinda Williams, Edgar Winter, Joe Bonamassa, John Doe (X) and Glen Campbell.  Happy Songs for the Apocalypse, the latest release from award winning producer/singer/song-writer Eric Corne is rather reflective of the world today, and is an amazing listen.  The dozen original tracks are beautifully written and tightly woven together in the assembly of this album.

I love the way Corne splendidly starts the album off with “Mad World”, his prophetic account of the beginning of the end.  Eamon Ryland lends a dreamy texture to this personal favorite on pedal steel.  Doug Pettibone (Lucinda Williams) provides a delicate Dobro performance on “The Guilded Age” while Corne sings of the wolves of Wall Street. Sasha Smith on dolceola and violinist Freddy Koella (Bob Dylan, KD Lang, Dr. John) inject a bright Celtic sound into Corne’s dispirited observance of current day politics “Short Wave Preachers”.

Corne taps into the spirit of the early Rolling Stones with “Ridin’ with Lady Luck” and “Locomotion”.  “Ridin’ with Lady Luck” features the legendary Walter Trout laying down some fabulous licks on lead guitar and Corne ripping it up on harp.  The excitement builds as Smith lays the piano groundwork on the upbeat “Locomotion”.  Guest David Ralicke (Degue Fever, Beck) orchestrates a rich horn arrangement on this captivating song as Corne revs it up with a side of guitar twang and more harp.

Corne utterly wins me over with Happy Songs for the Apocalypse. It is definitely a delightful and intelligent listen. 

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#434 : Bai Kamara Jr. & The Voodoo Sniffers - Salone

2020 – Moosicus Records

By Phillip Smith; Feb. 29, 2020

It didn’t take but one listen to Salone, the latest release from Bai Kamara Jr., to turn me into an instant fan.  This was my first exposure to Kamara and his music, and to put it bluntly, his songs have swept me off my feet.  Born the son of a former Sierra Leonne ambassador, Kamara who grew up in the UK and moved to Brussels where he has lived for over twenty-five years.  For Salone, his sixth album, he embraces his African heritage with fifteen fantastic all-original, self-produced songs rooted in blues, jazz, and funk. 

Kamara, with his six-string acoustic guitar, reminds me a lot of the current delta blues players.  His songs are intriguing and poignant.  He begins with “Can’t Wait Here Too Long”.  The song is highly infectious.  Kamara’s vocals are suave as he sings of empowerment on “Lady Boss”, a cool and funky blues track.  One of Kamara’s songs which have burrowed deep into my brain is “Black Widow”.  Spider-like percussive sounds are at the forefront of this deep-blues track which I utterly adore.  “Don’t Worry About Me” is an absolutely stunning song of overcoming hardships.  It reminds me a lot of the music of another favorite, Sixto Diaz Rodriguez.

Salone is a downright fascinating piece of work which deserves to be heard, and Bai Kamara Jr., with his brilliant songs, has definitely won me over.       

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For more information about the artist, visit this website: https://baikamara.com

  

Cécile Doo-Kingué - Anybody Listening Part 2 : Dialogues

2016 – Funky Joint

By Phillip Smith; Mar 13, 2016

Montreal guitarist and singer-songwriter Cécile Doo-Kingué having hooked me with last year’s Anybody Listening Part 1 : Monologues, has totally reeled me in with her latest release, Anybody Listening Part 2 : Dialogues.  Keeping her music on the edge of political and social awareness, Doo-Kingué progresses from the raw and acoustic direction of Monologues by adding more production and electricity, and it sounds terrific.  Joining the six new tracks on this twelve track album, are five re-recorded versions of her most outstanding tracks from Monologues : “Anybody Listening”, “Little Bit”, “Six Letters”, “Animal Kingdom”, and “Bloodstained Vodka”.  These are tracks I was really drawn to in their original acoustic versions, but I love these new recordings even more.

Besides being such a prolific songwriter, Doo-Kingué is quite the guitar master as well. It’s so fun to hear her let loose at the end of “Sunshine Lady”, which by the way features the lovely vocals of Milika Tirolien.  I dig the swampy slide which kick starts the upbeat bluesy gem “Riot & Revolution”. This song gets the blood pumping through the veins and the fists pumping in the air.  “Sweet Talkin’ Devil” is quite a sweet surprise too. Doo-Kingué slays this magnificent southern-style rocker about temptation. For a fearless closer, Doo-Kingué tears it up on her killer cover of Jimi Hendrix’s “Manic Depression”. 

I have no idea what direction Doo-Kingué will take us in on Anybody Listening Part 3, but I’m already on-board, and looking forward to it. 

For more info on Cécile Doo-Kingué, visit her website http://www.cdkmusik.com/

Joanna Connor - Six String Stories

2016 –M.C. Records

By Phillip Smith; Aug 4, 2017

Six String Stories, the eleventh release from Chicago guitar-slinger Joanna Conner is an amazing listen to say the least.  She continues to throw her whole being into each performance, with both her axe and voice.   Joining Conner on the album, is Marion Lance Lewis (drums, bass, percussion, synth, vocals) , Jeff Lewis (keyboards), Omar “Harp” Coleman (harmonica), Charlie Kimble (tenor sax), Gary Solomon (alto/soprano sax), and Charles Pryor (trumpet, flugelhorn).

There is no denying this lady has been baptized in the blues, once one hears the captivating first licks of “It’s a Woman’s Way” bursting through the stereo speakers.  The song, oozing with flair and attitude hooks me like an unsuspecting catfish.  Conner dishes out a big saucy helping of slide guitar on “By Your Side”.  It sounds so sweet.  The cover of Jill Scott’s “Golden” is absolutely lovely, and reminiscent of one my early musical favorites, George Benson. 

Of the ten spectacular tracks on Six String Stories, there’s one which stands out above and beyond.  That song is “Halsted Street”.  Complex and searing, Conner attacks this   progressive-blues-rock instrumental with an intense ferocity.  I am gobsmacked with each and every listen.  The album comes highly recommended.

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