Saturday, January 30, 2021

#484 : Shakin' Woods - The Blues Groove Sessions #1



2020 – Shakin’ Woods

By Phillip Smith; Jan. 30, 2021


Hailing from the Washington DC metro area, Shakin’ Woods, is a blues-rock band drenched in funk and southern-soul.  This talented quartet was formed in 2019 and is comprised of singer/guitarist Rich Russman, keyboardist/guitarist Austin Day, bassist George Belton and drummer Paul Dudley.  The Blues Groove Sessions #1, a four-track EP, is the first of several EPs planned to be released by the band this year, with the next released titled The Blues Proper Sessions #2.

I love the funky bass groove running through ‘Like a Superman”, it tracks wonderfully with the disco-friendly pulse Dudley creates.  Russman delivers the goods with the finesse of Steely Dan, incorporating smooth vocals, and a standout guitar performance.  “The Place to Be” leaves me with a big grin on my face as the friendly Phish-like groove creeps over to a psychedelic Hendrix-influenced bridge, and then back again.  Then while on the subject of Phish, they fantastically cover Trey Anastasio’s “Cayman Review”.  The EP ends on a beautiful and melancholy note as Russman sings of intertwined souls in “Still Alive”.  I can feel the emotion pouring out of his guitar in lush and bountiful waves.

The Blues Groove Sessions #1 is absolutely marvelous.  I can’t wait to hear the follow-up EPs.

---

 

For more information about the artist, visit this website : shakinwoods.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.




Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.


Saturday, January 23, 2021

#483 : Ghalia Volt - One Woman Band

 


2021 – Ruf Records

Release Date – Jan. 27, 2021

By Phillip Smith; Jan. 23, 2021

 

I was first introduced to the talents of Belgian-born blues artist Ghalia Volt with the 2018 release of Let the Demons Out by Ghalia & Mama’s Boys.  For that recording, which I absolutely loved, Ghalia teamed up with New Orleans bluesman Johnny Mastro and Mama’s Boys.  This past March she started a new one-woman philosophy and took it Mississippi to test drive the new arrangement.  According to Ghalia, “I started playing on a real drum set, playing a kick, snare, and hi-hat plus a tambourine with my two feet, while playing slide/guitar and singing at the same time.”  So for this latest album One Woman Band she flies solo, recording all the instruments live at once and ditching the popular multi-track route.  The recording which took place at Royal Sound Studios in Memphis, Tennessee includes guest appearances from Dean Zucchero on bass, and Monster Mike Welch on guitar.   

Ghalia delivers “Last Minute Packer” with pure raw gusto and powerful, yet delicate vocals which sound fantastic.  Her slide guitar prowess certainly demands attention on “Espiritu Papago”.  Zucchero’s steady thumping bassline solidly holds the fort down, as Ghalia’s vocal and guitar performance reaches a somewhat hypnotic state.  “Can’t Escape” chugs along like a locomotive, and is slathered with gobs of swampy slide.  It takes me right to the heart of the Mississippi Delta.  She keeps that deep blues rolling on breakup song “Reap What You Sew”.  It’s such a treat to hear her play.  “Bad Apple” is undoubtedly a strong selection too.  This original song is absolutely stellar.  Ghalia tackles Tampa Red’s “It Hurts Me Too” with feeling and finesse, as she pours herself into the performance. 

It’s obvious Ghalia Volt has spent a lot of time in the Mississippi Delta, soaking up as much of its spirit as she possibly can.  That’s certainly evident on One Woman Band.   Magnificent and timeless, this album is one hundred percent pure blues.     

---

   

 

 

Link to the PhillyCheeze review for Ghalia and Mama’s Boys Let the Demons Out

https://phillycheezeblues.blogspot.com/2018/01/312-ghalia-mamas-boys-let-demons-out.html 

 

For more information about the artist, visit this website : ghaliavolt.com

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link. 



Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.


Saturday, January 16, 2021

#482 : Alabama Slim - The Parlor



2020 – Cornelius Chapel

Music Maker Relief Foundation

Release Date: Jan. 29, 2021

By Phillip Smith; Jan. 16, 2021

 

Originally from Vance, Alabama, Milton Frazier aka Alabama Slim was born in 1939 and moved to New Orleans in 1965.  It was there when he started jamming occasionally with his cousin Little Freddie King.  By the 1990’s they had become best of friends, and spoke to each other on a daily basis.  In 2007, with the help of the Music Maker Relief Foundation, they cut an album together called The Mighty Flood.  In 2010 Alabama Slim recorded his first solo album Blue & Lonesome, which was also made with the help of the MMRF.  And now, a little over ten years later he has a brand new fabulous record of fresh downhome blues called The Parlor.  The album was recorded in New Orleans at The Parlor Recording Studio in four hours’ time, and incorporates the talents of Jimbo Mathus (Squirrel Nut Zippers) on piano/organ, and Matt Patton (Drive-By Truckers, Dexateens) on bass and Ardie Dean on drums, with Alabama Slim front and center on guitar and vocals.  As an added bonus, Little Freddie King even steps into the studio with guitar in hand to record a track. 

From the first few measures of “Hot Foot”, I knew this was going to be an extraordinary record.  Slim’s guitar picking is a blues-lovers delight.  Next up, Slim brings his cousin Freddie in for the hard-driving “Freddie’s Voodoo Boogie”.  It’s absolutely wonderful.  Slim slows it down and sings about a woman who steals his heart in “Rob Me Without a Gun”.  Story-telling songs like this one really grab me, especially when sung with the conviction Slim incorporates into his performance.  Mathus and Slim form a most interesting partnership of guitar and piano in the slow blues of “All Night Long”, a first-person account of a man in search of his two-timing gal.  A soulful Stax-like groove runs through “Forty Jive”, a political satire number which goes right for the jugular.  His cover of Sleepy John Estes’ “Someday Baby” is played with finesse and puts a smile on my blues-loving face.

The Parlor is certainly a recording to be embraced.  It captures Alabama Slim in a non-filtered environment, allowing the music to be heard the way it was meant to be.  Records like this just aren’t made this way anymore.          

         

---

For more information about the artist, visit this website : Alabama Slim - Music Maker Relief Foundation

 



Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.

 

Saturday, January 9, 2021

#481 : Tony Spinner - Love is the Answer



2020 – Grooveyard Records

By Phillip Smith; Jan. 09, 2021


After nearly eight years since releasing his last album Earth Music for Aliens, Northeast Arkansas blues-rocker/guitarist extraordinaire Tony Spinner is back with a fabulous new record Love is the Answer.  Spinner joins bassist Michel Mulder and drummer Alex Steier once again in the studio for this project which spans a dozen original tracks. Recording took place at three locations: The Farm in Jonesboro, Arkansas, Lil’ Heaven Studios in Arnhem, Netherlands and Chill Hill Studio in Italy.

Spinner introduces the opening track “Same as it Ever Was” in a spaghetti-western fashion. Then with a blast of mind-blowing guitar shredding, switches into full-on funk. It sounds great!  His infectious groovy funk continues on with “Dizzy”, with Spinner waxing nostalgic in an attempt to escape the insanity of the world.  I love his jazz-guitar ode to little green men in “U.F.O.”.  It’s so fun to hear him play this one.  With title-track “Love is the Answer”, Spinner sings a message of peace and love, making for a beautiful ballad.  The slide blues that pours from “True Love” is absolutely great.  Laden with a plethora of aural treats, instrumental “Chun-Key” puts a gigantic smile on my face.  Boasting seven and a half minutes of southern funk, “Big River” is another favorite.  This composite of Allman and Marley is out of this world, and surprises me at every turn.  Spinner truly out does himself on this track.

This is the third Tony Spinner album I’ve reviewed over the years, and he never ceases to amaze me. Love is the Answer is a gem indeed and I highly recommend this record.   

---

 

For more information about the artist, visit this website : www.tonyspinner.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.



Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.


Saturday, January 2, 2021

#480 : Kerry Kearney - Tales From the Psychedelta



2020 – Highlander Records

By Phillip Smith; Jan. 2, 2020

 

Tales From the Psychedelta, the latest release from New York Blues Hall of Fame inductee Kerry Kearney is absolutely fabulous.  It’s such a pleasure to hear a slide guitar master of his caliber beautifully playing original blues.  Kearney’s music covers subjects which all have a distinct place in the Mississippi Delta, such as Memphis, trains, voodoo, the Mississippi River, and Jesus.  The dozen songs on this album flow like the river itself from one song to another.   

From the git-go Kearney rips it up with a high-energy Allman Brothers vibe on “Five Time Man”.  Note after note of precision finger-picking bring this masterpiece to the forefront.  The swampy delta slide guitar on “Mississippi River Stomp” is wonderful and lush.  “Memphis High” is an experience in and of itself.  With drummer Eileen Murphy throwing down an infectious beat, and Charlie Wolfe dropping his hot harp licks, Kearney gives a magnificent raw unbridled performance.  Tony Campo on organ, creates a rich and ominous backdrop for the Santana-esque “Voodoo Down the River”.  “Runnin’ Weepin’ Tremblin’” sounds so damn good too.  It certainly satisfies my sweet tooth for riveting blues guitar.  

Kerry Kearney’s Tales From the Psychedelta is a terrific listen from start to finish.  It’s one of those albums I find myself leaving on repeat for several cycles through at a time.      

 ---


For more information about the artist, visit this website : www.kerrykearneyoffical.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.


Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.


Saturday, December 26, 2020

#479 : Beauwater - Who Works For Who?



2020 – Beauwater

By Phillip Smith; Dec. 26, 2020

 

Formed in 2008, Beauwater got its start in St. Johns, NL.  Over the next nine years, this powerhouse trio accumulated five MusicNL Award Nominations and was awarded the 2017 ECMA for Blues Recording of the Year.  Produced by Chris Kirby, Who Works For Who is a splendid ten track album of blues-rock.  Guitarist/vocalist Jonathon Reid takes on the front-man role, with bassist Greg Newhook and drummer Mike Maddox comprising the rhythm section of this tight-as-hell outfit.  Also appearing on the album is Kelly Hoppe (Big Sugar) on harmonica, Terry Campbell on trumpet, Chris Harnett on Saxophone, and Chris Kirby on keys and slide guitar.

With Kirby on slide guitar, the album fiercely clocks-in on title-track “Who Works For Who?”.  This electric opener grabs me tight with its infectious hook, and sizzling guitar.  “Flavour of the Week” follows up and delivers a delicious plate of Texas-style blues.  I love the psyche-blues of “Tonight She’s Gonna Burn”.  Gently floating aloft on a bed of clouds, the song sporadically downpours furious guitar licks which saturate the soul.  The rolling blues riff on the front end of “Nodding Off” is a bit reminiscent to the North Mississippi sound.  Between that and Reid’s suave vocals, this one has me nestled in its clutches.  “Poison” is another one that has me totally under its spell.  This southern rocker is loaded with juicy harp and swirly organ with a killer rhythm backer.

Beauwater certainly caught my attention with this record.  Each song is masterfully crafted and played with precision.  Who Works For Who? is indeed an absolute gem.  

 ---


Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.

 

 

 





Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.



Wednesday, December 23, 2020

#478 : PhillyCheeze's Favorite 20 of 2020

 


By Phillip Smith; Dec. 24, 2020



PhillyCheeze's Favorite 20 of 2020
 (in alphabetical order)



Bai Kamara Jr & the Voodoo Sniffers - Salone



Ben Rice & RB Stone - Out of the Box


Bette Smith - The Good the Bad the Bette


BillyLee Janey - 20 Dollar Tip


8 Ball Aitken - Swamp Blues 2


Eliza Neals - Black Crow Moan



Eric Hughes Band - Postcard from Beale


Erin Harpe - Meet Me in the Middle


Fantastic Negrito - Have You Lost Your Mind Yet?


Kevin Burt - Stone Crazy


Micke & Lefty feat Chef - Let the Fire Lead


Peter Parcek - Mississippi Suitcase


Robert Connely Farr - Country Supper


Ryan Perry - High Risk, Low Reward


Sir Rod & the Blues Doctors - Come Together


Sister Lucille - Alive


 
Sonny Green - Found! One Soul Singer


Tas Cru - Drive On


Tony Holiday - Soul Service


Too Slim and the Taildraggers - The Remedy









I'm including a Spotify Playlist so you can easily give a listen to each of the albums.









Click on the link below to purchase any of this terrific music from the PhillyCheeze Amazon Store.    As an Amazon Associate, I earn from qualifying purchases.

PhillyCheeze Pop Up Blues Store




Saturday, December 19, 2020

#477 : Erin Harpe - Meet Me in the Middle

 


2020 – Vizztone Label Group

By Phillip Smith; Dec. 19, 2020

 

Versed in the Piedmont style of blues, second-generation finger picker Erin Harpe has wooed me over with her latest record Meet Me in the Middle.  This is her fourth release on the Vizztone label and sixth overall.  Recorded in their Boston-area home studio while quarantined this past June, the album features Harpe on vocals, acoustic guitar, kazoo, and foot percussion, with her husband Jim Countryman on ukulele bass and backing vocals.  The production on this is fantastic, and the result is ten tracks of pure, unadulterated blues.

I admire the sound of Harpe’s guitar playing.  The finger-picking and slide work on her original composition “All Night Long” is outstanding.  Her voice, with its slight twang, is perfectly suited for singing the blues.  Another charming original that lights me up with every listen is “Meet Me in the Middle”. 

Her recording of “Pick Poor Robin Clean” is plumb terrific.  Written and originally recorded in 1927 by Luke Jordon, the song was later popularized by Geeshie Wiley in 1931.  Performed with guitar and kazoo, Harpe breathes new life into this vintage classic.  Erin and Jim also take on the iconic “Rollin’ and Tumblin’” which I absolutely adore.  It’s such a treat to hear her take this one on.  She is such a fireball on the mic as she rips it up on guitar.

Meet Me in the Middle is a must for blues fans. 

---

 

 

For more information about the artist, visit this website : erinharpe.com

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.




Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.

Saturday, December 12, 2020

#476 : Kevin Burt - Stone Crazy

 


2020 – Gulf Coast Records

By Phillip Smith; Dec. 12, 2020

 

It’s hard to believe two years have passed since Kevin Burt released his break-out album, Heartland & Soul.  That was such a splendid recording.  Stone Crazy, his very latest album is plumb phenomenal, built of songs focusing on his own experiences in life, love, and relationships.  Burt proves once again, he is a superfecta of entertainment, with his unique soulful vocals, harmonica mastery, insightful songwriting, and delicate guitar styling.  This time around, Burt is working with Mike Zito and his label Gulf Coast Records.  Zito not only produced the album, but also appears on guitar, along with Doug Byrkit on bass guitar, Matthew Johnson on drums, Lewis Stephens on keys, and Jimmy Carpenter on saxophone.

With an enormous blast of juicy blues harp from Burt, the record opens with the infectious groove of “I Ain’t Got No Problem With It”.  From this moment, I am hooked.  I love the swampy slide guitar and harp combo on “Rain Keeps Coming Down”.  This is pure blues, and it sounds fantastic. 

Burt goes into troubadour-mode with title-track love ballad “Stone Crazy”.  The song glistens with heart-felt soul.  With one exception, this album consists of all original songs written by Burt.  That exception is a of the Bill Withers’ flip side to his “Lean on Me” single “Better Off Dead”.  Burt takes this funky-yet-intense, down-hearted song and definitely makes it his own.

The record comes to a deep and heady conclusion with the poignant “Got To Make a Change”.  Burt’s performance is passionate and reflective.  Stone Crazy is definitely an album you’ll want to own.

---

 

 


For more information about the artist, visit this website:  http://kevinburtmusic.com/

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  


Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.


Saturday, December 5, 2020

#475 : Hamilton Loomis - This Season

 


2020 – Ham-Bone Records

By Phillip Smith; Dec. 5, 2020

Hamilton Loomis’ 2012 DVD Live at the Hub was the first and one of the few DVDs I have ever reviewed.  This was for Blues Revue Magazine’s online zine called Blues Wax. I remember being so impressed with his music.  Then in 2018, I reviewed his Basics album.  Again, his music made a big impression.  With This Season, his ninth release, Loomis fulfills his dream of doing a Christmas album, and I’m enjoying it tremendously.  Joining Loomis in the studio for the making of this ten-track holiday album is bassist Mike Meade and drummer Brannon McLeod.

Loomis brings five original songs to the table on this album, each with a fresh bluesy imprint.  Loomis sings of faith, hope, and healing as he opens with the title track “This Season”.  As a native of Galveston, Texas, Loomis certainly has a different perspective when it comes to Christmas time.  “Another South TX Christmas” is a boat-load of fun served in a Texas blues fashion.  There’s a cool and hip vibe to Loomis and the music he creates.  Capturing that character of him so brilliantly is the song “Underneath the Tree” with its swinging rhythm.

I love the mellow, relaxed funk he splashes on the blues-soaked “Lay Around and Love”.  With piano and harmonica accompaniment, this cover of Lari White’s 1993 single is one of my favorites.  He poignantly ends the record with an absolutely beautiful performance of “Oh Holy Night”. 

Hamilton Loomis brings contemporary Christmas albums to a new level.  It’s a record I can listen to anytime.   


---


For more information about the artist, visit this website: hamiltonloomis.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.




Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.

 

#474 : Robert Connely Farr - Country Supper

 


2020 – Robert Connely Farr

By Phillip Smith; Dec. 5, 2020

From the first listen to Robert Connely Farr’s 2019 Dirty South album, I was hooked.  His music is deep and infectious, his words are sung with an honest conviction.  Mentored in the Bentonia, Mississippi Style of Delta Blues by Jimmy “Duck” Holmes (2021 Grammy Award Nominee for Traditional Blues Album), Farr now resides in Vancouver, BC.  His latest album, Country Supper, stays the course with a batch of sixteen absolutely killer tracks.  Farr, on guitar and vocals, is joined by guitarist Jon Wood, bassist Tom Hillifer aka ”Tommy Ribs”, and drummer Jay Bundy Johnson.

“Cypress Grove”, the classic Skip James song gets the album going with its slow ominous groove.  The sound of Farr’s slide guitar is beautifully haunting.  Once this is concluded, Farr ferociously rips into Leo Bud Welch’s “Girl in the Holler”.  The adrenalized beat Johnson throws down on this song is fabulous.  Farr elegantly covers two songs by Jimmy “Duck” Holmes as well: “Train Train” and “Must’ve Been the Devil”.  Heart-wrenching and performed with a finesse, they are indeed a respectable pair of tributes to his friend and mentor.  

Farr’s original blues compositions deserve highest accolades.  “Water’s Rising” vividly paints a dire scene on the canvas of a dark and ominous melody.  I love the rolling and unstoppable groove on “Cadillac Problems”.  With a thunderous bassline from Tommy Ribs, the intoxicating “Can’t Be Satisfied” leaves me in an unsettled state of impending doom.  Like a locomotive barreling down the tracks, “Bad Bad Feeling” barrels down a hypnotic groove laced with a slab of psychedelic guitar licks.  it’s so damn good.  

Country Supper is a downright gem of an album.  Farr’s music truly deserves to be heard. 

---

 

  

For more information about the artist, visit this website: robertconnelyfarr.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.




Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.



Saturday, November 28, 2020

#473 : Bob Corritore’s “From the Vaults” Series

 



  • Dave Riley & Bob Corritore - Travelin’ the Dirt Road
  • The Kid Ramos / Bob Corritore – Phoenix Blues Sessions
  • Henry Gray & Bob Corritore Sessions - Vol: 2 Cold Chills

2020 – Vizztone  

By Phillip Smith; Nov. 28, 2020


I can’t express how excited I am about this new “From the Vaults” blues series from Bob Corritore on Vizztone.  The first three releases out of the gate pair the harmonica master with Dave Riley, Kid Ramos, and Henry Gray. 

Dave Riley & Bob Corritore’s 2007 album Travelin’ the Dirt Road consists not only of the original tracks, but has two additional previous unreleased songs as well.  Recorded over three sessions from 2005 to 2006, this album features Riley on guitar, Corritore on harmonica, Johnny Rapp on guitar, Matt Bishop on piano, Dave Riley Jr. on bass, and Tom Coulson on drums.   

The album nicely rolls the album in with “I’m Not Your Junkman”, a tune written by John Weston, Riley’s friend and former bandmate.  Warm vocals and a fascinating guitar performance capture my attention on “Let’s Have Some Fun Tonight”.  Corritore is such fabulous side-man.  His harp playing never takes a back seat, and in tracks like “My Baby’s Gone”, it completely makes the song.  This one sounds so great, especially with Bishop busting out his barrelhouse piano.  “Voodoo Woman, Voodoo Man” is a double dose of slow-brewed blues, and I love every bit of it.   

The Kid Ramos/Bob Corritore album Phoenix Blues Sessions is a collection of collaborations between the two from the late 1990’s to the early 2000’s.  Originally released as a fund raiser during Kid’s cancer scare in 2012, this re-release features three previously unreleased songs, and an alternate take on “Natural Ball”.  With Ramos on guitar and Corritore on harp, Chico Chism take the reigns on drums with Paul Thomas as the bassist and Johnny Rapp on guitar or mandolin.  Vocalists consists of Nappy Brown (1929 – 2008), Henry Gray, Chief Schabuttie Gilliame (1925 – 2014), Big Pete Pearson, and Dr. Fish.  Additional musicians consist of bassist Marrio Moreno and pianist Tom Mahon.

I love the twangy sound of Ramos’ guitar on “Come on In”.  This classic from Harum Scarums (Big Bill Broonzy, Mozelle Alderson, Thomas A. Dorsey) features Henry Gray on piano and vocals.  Corritore delightfully ushers Eddie Boyd’s “24 Hours” in on harp, with Dr. Fish delivering a timeless vocal performance.  I love the raw infectious groove on “No More Doggin’” with Chief Schabutti Guilliame commandeering the microphone.  This is absolutely fabulous.  Ramos’ slide guitar is captivating on Little Milton’s “Possum in My Tree”.  Featuring Big Pete Pearson on vocals and Mahon on piano, its such a terrific cover.             

Henry Gray & Bob Corritore’s Sessions Vol: 2 Cold Chills features recordings made between 1996 and 2016.  With Gray on piano and vocals, Corritore on harp, and guitarist Johnny Rapp on most of the songs, the list of musicians who are a part of this is rock solid.  A partial list of them include, Robert Lockwood Jr, (1915 – 2006) Bob Margolin, Eddie Taylor Jr. (1972 – 2019), Tail Dragger, Jimi “”Primetime” Smith, Chief Schabuttie Gilliame (1925 – 2014) , Illinois Slim, Johnny Burgin, Chris James, and Kirk Fletcher.   

Eddie Taylor Jr. brings his vocals and guitar prowess along with guitarist Illinois Slim for a wonderful cover of Jimmy Roger’s “Going Away Baby”.  This is what the blues is all about.  Corritore’s harp-playing is music for the soul.  “Steady Rollin’” Bob Margolin appears with guitar in hand on “Ain’t No Use”.  Gray’s piano performance is flawless and his vocal performance draws me right in.  Chubby Checker’s ‘The Twist’ is a big ball of fun, with Jimi “Primetime” Smith singing.  Bassist Troy Sandow and drummer Marty Dodson keep the party going on the rhythm section.  The Chief brings one of his own songs, “Javelina Jamboree” to the album in full-on shindig style.  Being from Arkansas, I’m more likely to refer to these gnarly beasts as a razorback.  Burgin tears it up on guitar while Gray pounds the hell out of the keys, and Corritore rips it up on harp.  It’s a good time for sure.  It’s so cool to hear the legendary Robert Lockwood Jr. play guitar on “Mother in Law Blues” too.                

This “From the Vaults” series is certainly one to keep your eyes on.  This is a must listen for serious blues fans.  These first three albums are an absolute treasure.  I honestly can’t wait to see what Corritore has in store next. 

---

  

For more information about the artist, visit this website : bobcorritore.com

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.










Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.