Sunday, August 2, 2015

Photos : Tinsley Ellis & The Janeys

Cedar River Blues Festival
McGrath Amphitheater
Cedar Rapids, Iowa
  Aug 1, 2015

All Photos by Phillip Smith




BillyLee Janey

Bryce Janey

Dan Johnson

Tom "T-Bone" Giblin

Bryce Janey

Dan Johnson, Bryce Janey, Eric Douglas 

Bryce Janey

BillyLee Janey, Tom "T-Bone" Giblin

Bryce Janey

Bryce Janey, BillyLee Janey

Bryce Janey, BillyLee Janey

Dan Johnson, Bryce Janey, BillyLee Janey

BillyLee Janey, Bryce Janey

Eric Douglas

Dan Johnson, BillyLee Janey

BillyLee Janey
BillyLee Janey, Tom "T-Bone" Giblin
BillyLee Janey
McGrath Amphitheater



Tinsley Ellis

Jonathon Holland


Tinsley Ellis

Tinsley Ellis

Erik Kaszynski


Tinsley Ellis

Tinsley Ellis

Jonathon Holland

Tinsley Ellis

Tinsley Ellis

Tinsley Ellis

Tinsley Ellis

Erik Kaszynski

Tinsley Ellis

Tinsley Ellis and Jonathon Holland

Jonathon Holland, Tinsley Ellis

Jonathon Holland, Tinsley Ellis

Tinsley Ellis

Tinsley Ellis

Tinsley Ellis

Tinsley Ellis

Saturday, August 1, 2015

Slackjaw - It’s Always Something


2015 –Slackjaw
By Phillip Smith; Aug. 1, 2015

It’s Always Something, the second album from New Jersey blues rockers Slackjaw, rapidly grabbed my attention with its tight musicianship and devil-may-care lyrics.  This trio consists of singer/guitarist John Thompson, drummer/harmonicist Randy Marinelli, and bassist/backing vocalist Carl Capodice.   

Album opener “Carried By Six” is smothered in Texas blues and sounds great.  Not only is Thompson one hell of a guitar slinger, but Capodice and Marinelli hold the fort down quite nicely to boot.  When it comes to relationships, if it’s not one thing, it’s another.  That’s the message in the rocking title track, “It’s Always Something”.  Thompson seriously tears it up, and throws down the gauntlet when it comes to blasting out intense guitar licks. A funky bluesy rhythm with a Spin Doctors flair gives the light-hearted love song, “New Addiction” a feel-good groovy sound.  This one surely puts me in my happy place. Tempo shifts, and more outstanding hard-driving riffs, make the melodic “Whiskey Lane” one of my favorites.    

Slackjaw closes out with the carousing song, “Bottle of Whiskey”.  This partying track is the perfect closer, and gets stuck inside my head quite often now.  All in all, It’s Always Something is a rambunctiously good listen.
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Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.

Saturday, July 25, 2015

Sean Taylor - The Only Good Addiction is Love


2015 –Sean Taylor Songs
By Phillip Smith; July 25, 2015

The Only Good Addiction is Love, Sean Taylor’s seventh album, steers the focus away from the hustle and bustle of city living, as was the focus on his previous album, Chase the Night.  As Taylor explains, he is now exploring the challenging world of aesthetics, bringing out the truth in beauty and vice versa. Before the first song of this eleven track album is finished, I’m quickly reminded of just how truly remarkable this songwriter is. 

The title track takes its name from an inspiring quote from former Uruguayan President Jose ‘Pepe’ Mujica, who selflessly declined the use of the presidential palace and its staff, and chose instead to live on his modest farm, all while donating ninety percent of his salary to charity.  This captivating song with a little Leonard Cohen reference, not only opens the album, but pours a foundation fashioned from complimentary dualities.  The dark swampy blues of “Bad Light” is kicked off with the electric surge of slide guitar from Andre Moran, and masterfully accented by the deep eerie sounds of Brian Standefer on cello. I am also heavily drawn to “Lorca”, a Spanish flavored instrumental which Taylor plays beautifully on guitar. 

Double bass virtuoso Danny Thompson returns to work with Taylor on the two tracks, “Rothko”, and “Moma”.  The former, is homage to Abstract Expressionist Mark Rothko who also inspired the album’s cover art.  Taylor’s guitar paired with Thompson’s double bass creates a hypnotic rhythm for the poetic lyrics to ride along. 

If you ever wondered how W.B. Yeat’s “The White Birds” would sound if set to music, wonder no more.  This vibrant poem is sweetly complimented with Taylor’s music.   “Desolation Angels” captures the essence of Kerouac’s book bearing the same name, with Clapton-esque guitar licks and free-wheeling prose. This is music for the soul. 

The Only Good Addiction is Love is definitely in my list of favorite albums this year.  It doesn’t get much better than this.     




Saturday, July 18, 2015

Robin Barrett & Coyote Kings - Howl / JPBlues - Live at Darwins


Coyote Kings   
Howl
2015 –Robin Barrett
By Phillip Smith; July 18, 2015



I always look forward to hearing from Robin Barrett and the Coyote Kings from Walla Walla, Washington.  Howl, the fourth installment from this Pacific Northwest band, contains a cache of smokin’ electrified blues.  Kicking off with title track, “Howl”. Barrett throws down the gauntlet, blasting crafty riffs of swampy goodness.  This one digs in deep, and I like it.  “Waiting to be Free”, is on top of my list of favorites as well. This one slows it down a notch, and Barrett’s guitar wails so beautifully.  Another track that puts a smile on my face is the Chuck Berry influenced “Jackhammer Slow Jammer”. It really gets the blood pumping. The most interesting and coolest track though, is “Party”, wherein Barrett blends funk with swamp blues. At times it reminds me of ZZ Top. Other tracks that surely deserve a mention are the eerie “Dark Dark Night”, and “Crazy in the Head”, a track that takes me back to the Eighties, listening to Timbuk 3’s “Future’s So Bright, I Gotta Wear Shades”. 




JP Blues   
Live at Darwin’s
2015 –Midnight Circus Records
By Phillip Smith; July 18, 2015


One listen to his latest album, Live at Darwin’s is all it takes to understand why John “JP Blues” Pagano is rapidly rising up in the ranks of blues guitarists.  This sizzling guitar virtuoso is joined by bassist Tony Hossri and drummer Shiloh Bloodworth to make one killer blues trio.  I love the gritty and swampy “Old Man Joe”.  This quick paced track reminds me so much of my favorite Southern Rock band, Black Oak Arkansas, down to the Jim Dandy-styled vocals. I had to stop and think a while the first time I heard JP’s rendition of Jay Z’s “99 Problems”.  It was so interesting and quite the unexpected treat to hear this rap song played so bluesy. JP pours his soul out in “Another Time, Another Place”.  From a calming and beautiful beginning, the song builds traction, gaining speed until an explosive battleground of pure guitar expressionism is reached.  But wait, there’s more.  The finale “Good Morning Little Schoolgirl” dishes out nearly ten minutes of unadulterated blues and ferocious jams.  JP’s guitar playing on this track is simply amazing.  It doesn’t matter who moved your cheese, this is where it’s at.     


Sunday, July 12, 2015

BillyLee Janey - Got Them Iowa Blues


2015 –Damn Good Tunes
By Phillip Smith; July 12, 2015


In 1975, BillyLee Janey recorded the critically-acclaimed psych-blues album Truth and Janey’s No Rest For the Wicked. Give his latest album, Got Them Iowa Blues a listen and one will find out very fast, Janey is still pushing the envelope of sound, producing some of the best electric guitar blues around.  Joining Janey in the making of this album is his son, Bryce Janey on bass guitar, and drummer Eric Douglas.

From the get-go on “Damn Good” Janey breaks out his satchel full of swagger, and delivers some of the most wickedly interesting guitar licks I’ve heard.  Listening to “Superstar” sends chills down my spine.  I don’t know how he does it, but his guitar speaks a different language than most.  It’s simply amazing to hear all these cools sounds immersed in a big bowlful of blues.  I love the driving funky beat from guest drummer, John Wilson on “Mean Ole Twister”.  Janey channels the chaos and furious force of an F5 tornado into this tune, and drops a subtle Wizard of Oz reference which makes me smile.  

Those who have ever lived in Iowa will surely understand where Janey is coming from as he sings about frigid winters, hail storms, and Midwest tornados in the slow-simmered “Iowa Blues”.  The man knows how to play the blues, that’s for sure.  I could listen this all day.  


For more info about BillyLee Janey, vist his website: www.billyleejaney.com




Sunday, July 5, 2015

Victor Wainwright and the WildRoots - Boom Town


2015 –Blind Pig Records
By Phillip Smith; July 4, 2015

Boom Town, the latest release from Victor Wainwright and the Wildroots, is chockfull of boogie-laced blues and tasty jams.  Wainwright, who rightfully claimed the Pinetop Perkins Piano Player of the Year for 2013 and 2014, leads this fantastic eight person band called, the Wildroots through thirteen spirited New Orleans flavored selections. Hearing him rip into the piano while laying down a truck load of boogie woogie on “Two Lane Blacktop Revisited” will leave no doubt why he pulled down that award twice already.  

It’s amazing to hear the different directions to which Wainwright can take his voice.  From a comforting tone, in the spiritually moving “When the Day is Done”, to being bad-ass and sinister, in “Reapers on the Prowl”, where he goes all “Wolfman Jack” in his conversation with the Grim Reaper.  Guitarist JP Soars, fellow Southern Hospitality collaborator with Wainwright is a guest performer on “The Devils Bite”, a Cab Calloway influenced tune.  This dark and rootsy track brings to mind Nick Cave’s Murder Ballads album.

The slow and easy “WildRoot Farm” makes for a cool little duet featuring Patricia Ann Dees.  This one will have you on the front porch sipping iced tea on a hot summer day, taking in the aromas of a freshly prepared southern style dinner. Stephen Kampa rolls out a sweet harmonica accompaniment which totally sets that laid-back mood.     

BoomTown culminates into an amazing instrumental jam at the end with “WildRoot Rumble”.  This is my favorite track on the album, and I play it loud.  Stephen Dees and Nick Black bring it on with rambling guitars, Kampa kills it on harmonica, Billy Dean keeps the furious beat going on drums, and Wainwright pounds the hell out of the piano. This is what it’s all about!     








For more information about Victor Wainwright visit his website at http://victorwainwright.com/





Saturday, June 27, 2015

Mike Sands - Shot of Reality


2014 – n/a
By Phillip Smith; June 27, 2015

Songwriter/guitarist/vocalist Mike Sands dishes out lush positively-charged servings of power pop on his album, Shot of Reality.  This is the kind of music one can just settle in for a nice listen with.  Sands is joined by Paul Avgerinos for backing vocals and performances on all other instruments.

It’s easy to get lost in “The Wait is Over”.  The poppy rhythm and relaxed vocals are reminiscent of Matthew Sweet.  Full of catchy riffs and inspirational lyrics about starting over, “Wander No More” reminds me a lot of REM, one of my all-time favorite bands.  It’s no doubt I was instantly drawn in from the first listen. Another fantastic song with that REM texture is the twangy “Closet of Skeletons”.  Smooth harmonies and the infectious melody make this one a damn cool tune.  Sands delivers the goods again on “Love Letters”, a poetically soulful ballad about an empty relationship.  This is still swimming in my head.

Shot of Reality has a certain raw charm about it, reminiscent of the great garage bands of the Sixties.   The songwriting is reflective of real life and the music is tight and solid.



  





For more information on Mike Sands, visit his website http://www.mikesandsmusic.com/


Saturday, June 20, 2015

Jaime Wyatt - From Outer Space


2015 – n/a
By Phillip Smith; June 20, 2015

From Outer Space, the latest album from Jaime Wyatt is chock full of rootsy music coated lightly with a layer of pop, covered with crafty lyrics infused with a jolt of Outlaw/Punk attitude.  Wyatt has a distinct flair for songwriting and a devil-may-care style which makes her music so easy to digest and leave one hungry to hear more.  Mark Howard (Lucinda Williams, Tom Waits, REM, U2, Willie Nelson, Bob Dylan) being brought onboard to produce, was an excellent decision.  

Wyatt leads the album off with “Marijuana Man”, a fun Dylanesque alt-country track about a free-wheelin’ hippie encounter gone wrong.  She rips it up on guitar and rocks out on “Twisted”, a vibrant song which brings to mind the music of one of my favorite all-female rock bands from the Nineties, The Donnas.  I love the way “I Want to be Your Girl”, hits the ground running and keeps that energy lifted from start to finish.  This song puts me in my happy place. Like a forgotten song off Paul Simon’s Graceland album, “Stone Hotel” is definitely one of the best on this album.  Daryl Johnson keeps a funky bassline going while Don Heffington commandeers the driving drum pulse perfectly fit for Wyatt’s poetic jailhouse themed lyrics. This one is very nice indeed.    


From Outer Space is quite lovely and no less than outstanding.  Wyatt is sure to be a force of reckoning in the music world, and I look forward to hearing more from her in the future.  







Saturday, June 13, 2015

Mike Zito - Greyhound : From the Archives #18


2011 – Eclecto Groove Records
By Phillip Smith; Aug. 20, 2011 * 


Mike Zito’s newest release, Greyhound, spinning in the CD player, along with a large cup of hot coffee and the morning newspaper, makes for a near perfect Saturday morning.  Greyhound is quite the impressive collection of songs.  Zito is a master at telling a story within a song.   With a similar writing technique to John Hiatt, he seamlessly uses a blend of an assorted Americana musical styles to ward off monotony. 

Growing up in St. Louis, Missouri, Zito boasts a plethora of musical influences.  You can definitely tell from just listening to his songs.  As the opening track on the album, “Roll On”  plays, it fulfills its obligation to pull the listener immediately in, and promises more good music to come.  It’s not hard to imagine Bob Dylan performing this song.  From the intro of “Judgment Day“, through the end, the song is laced with Jimi Hendrix-like licks.  The guitar solo is phenomenal, reminding us Zito is as much a guitarist as he is a singer/song-writer.   As “Judgment Day” seems to be a Hendrix tribute, “Show me the Way” has that classic early ZZ Top sound.   It’s a bit funky, but gritty, but with a Seventies blues rock vibe. 

It‘s something special when an artist can make you feel emotion through their music.  Feeling his pain, one can almost imagine tears welling up in Zito‘s eyes as he begs his woman not to leave him in “Please, Please, Please”, a wonderful slow tempo track dripping with heart-felt emotion.     

Favorite cuts also include,  “Until the Day I Die” a ditty about commitment, has a contagious rhythm that’s quite enjoyable.. My feet can’t help but tap the floor when it starts playing.   There’s also “Motel Blues”,  an acoustic ballad expressing the drudgery of motel life, wearing shoes to bed, and seedy neighbors.  Not quite the toe-tapper, but an interestingly good song anyway.

Some albums are a hodgepodge of music making no sense as to the order and arrangement of songs.  Greyhound is well constructed, and has a great flow from one song to the next.  It really is an impressive album.   I can’t wait until next Saturday.



* Originally published for Blues Revue Magazine on www.bluesrevue.com