Saturday, February 28, 2015

Samantha Martin & Delta Sugar - Send the Nightingale


2015 – Samantha Martin Music
By Phillip Smith; Feb 28, 2015

The new album from Toronto-based recording artists Samantha Martin and Delta Sugar is sure to draw a lot of attention and adoration.  Boasting a clever mix of blues, roots, country and gospel music, Send the Nightingale is absolutely compelling.  With vocals that fall into the same wheelhouse as Janis Joplin, Martin takes command of each song.  Guitarist Mikey McCallum, along with backing vocalists Sherie Marshall and Stacie Tabb, form Delta Sugar.    

Martin’s influences are also nicely rooted in Sixties soul music as well.  Kicking off with a light rhythm reminiscent of Dusty Springfield’s “Son of a Preacher Man”, is “Addicted”, a proclaiming song of love, and a soulful joyous treat.  The mood suddenly drops on “When You Walk Away”, a heart wrenching song about splitting up.  McCallum on guitar, brings to mind Steve Cropper’s playing on ”(Sittin' On) The Dock of the Bay”.    

Martin performs “One More Day” with the energy and unbridled exuberance of a gospel band in a southern tent revival.  Complete with obligatory stomps and clap, it’s cloaked in a rootsy and rustic vibe.  To this song, I say “Amen brothers and sisters!”  The song that sticks with me the most though is “Don’t Shoot”.  I absolutely love it.  Martin, like Lucinda Williams, just has an uncanny knack for writing great story-telling songs that rock with a country/western flair.

Excellent songwriting, powerful vocals, fantastic harmonies, and expert musicianship, make Send the Nightingale the wonderful album it is.
   


Saturday, February 21, 2015

Kubek & King - Fat Man's Shine Parlor


2015 – Blind Pig Records
By Phillip Smith; Feb 21, 2015

Dynamic Blues duo Smokin’ Joe Kubek and Bnois King have teamed up again, to record and produce an album of the best down-home blues one can hear.  The title itself, Fat Man’s Shine Parlor, conjures up visions of seasoned bluesmen congregating in the neighborhood barbershop on a Saturday afternoon, exchanging stories of days gone by.

“Got My Heart Broken” is an excellent track to start off with its high energy and driving rhythm.  Eerie growls resembling the snores of a sleeping dragon emit from Kubek’s guitar and make this one even more fascinating.  Keeping that initial energy flowing, they dive into another favorite, “Cornbread”, a heavy blues ode to country cooking and soul food.  I love the groove on “Diamond Eyes”.  Heavily steeped in Seventies blues/rock, my mind wanders to artists like Robin Trower and Pat Travers when immersed in this song.      

As soon as I hear the beginning Zeppelin’esque riff from “Brown Bomba Mojo”, I get excited.  This is phenomenally played and hits on all cylinders. It really doesn’t get much better than this.  Kubek and King certainly deliver the goods once again, proving tasty guitar blues is their specialty.     




Sunday, February 15, 2015

The B-52’s live at Riverside Casino 2/14/15


Riverside, Iowa
By Phillip Smith; Feb 15, 2015

One of my all-time favorite bands, The B-52’s descended upon the Riverside Casino in Riverside, Iowa last night and gave a stellar Valentine’s Day performance in front of a packed house. It was a special night, as the evening marked the 38th anniversary of their first concert performing together.  Original founding members Fred Schneider, Kate Pierson, and Cindy Wilson were joined onstage by guitarist Greg Suran, bassist Tracy Wormworth, drummer/percussionist Sterling Campbell, and guitarist/keyboardist Paul Gordon.    

The band kicked things off with “Pump”, off their most recent studio album, Funplex.  This one got the crowd excited and the energy flowing.  The only other track from this album, was “Love in the Year 3000”, introduced by Kate who acknowledged Riverside, Iowa as being the future birthplace of Captain Kirk while pondering the details of how his parents hooked up.    

Deeper cuts played, included the songs, “Girl from Ipanema Goes to Greenland” from Bouncing Off the Satellites and “Is That You Mo-dean?” from Good Stuff. Cindy gave a touching introduction to “Girl…” reminding us it was off the last album her brother Rickie played on before he passed in 1985.  This one was Cindy’s song to sing.

For a short while, Kate and Cindy held down the fort with “Roam” and “Legal Tender”, which quickly filled the aisles with dancers and revelers.  As soon as those songs finished, Fred mysteriously returned to stage donning a red ‘Kate-like’ wig.  Stating it was party time, the band tore into “Party Out of Bounds”. Afterwards, Fred exclaimed “It’s fun being a red-head!”     

The set is ended with crowd-favorite “Love Shack”, which brings the entire audience to their feet.  As the B-52’s return for their encore, the familiar spacy beeps from “Planet Claire” fill the air.  It’s still amazing to hear Kate’s enchanting siren-like vocals on this one. I remember thinking; this must have been what the siren songs which called out to Odysseus sounded like.  It was so captivating.  To wrap things up, the audience was treated to an extended dance version of “Rock Lobster”, a true classic off their first album. With red lobster-color lights shining upon the stage, Kate danced her heart out, and never seemed to break a sweat. 

This was hands down, a fantastic show, and a fun concert.


* all photos by Phillip Smith


Cindy Wilson, Fred Schneider

Cindy Wilson, Fred Schneider & Kate Pierson

Cindy Wilson

Kate Pierson

Greg Suran

Fred and Kate

Cindy, Fred & Kate

Kate Pierson

Fred Schneider

Cindy , Kate, & Fred

Cindy Wilson

Cindy, Fred, & Kate

Fred Schneider

Cindy Wilson

Fred & Tracy Wormworth

Fred Schneider

Kate Pierson


SetList

Pump
Mesopotamia
Private Idaho
Lava
Dance This Mess Around
Girl from Ipanema Goes to Greenland
Roam
Legal Tender
Party Out of Bounds
Love in the Year 3000
Is That You Mo-dean?
6060-842
Whammy
Love Shack

Encore

Planet Claire
Rock Lobster

Saturday, February 14, 2015

Alejandra O'Leary and the Champions of the West - Heartspace Timepiece


2014 – Sheepdog Sheethog Music
By Phillip Smith; Feb 14, 2015

It just takes one listen to Heartspace Timepiece from Alejandra O’Leary and the Champions of the West, to acknowledge it as a beautiful masterpiece.  This indie rock band based in Michigan and North Carolina, craft and perform amazingly lush pop music with outstanding vocals and deep lyrics.   

The spacy and futuristic, “Now Now” reminds me a lot of synth-pop band, Missing Persons.  Echo-filled vocals, and attention-grabbing guitar licks make this one a great track to open up with.  O’leary’s angelic voice flawlessly flows through the folksy “Skin to Skin”, with the softness of Juliana Hatfield. “New Low” is the song most likely to get stuck in my head.  This deliciously poppy song ironically tells the tale of an unraveling relationship. 

The Champions of the West definitely come from a space heavily influenced by bands like the Strokes. This adds a nice substantial and meaty texture to tracks “Positive Drag”, “Talk Me Down”, and personal favorite, “Mine That Groove”.

O’Leary nails this one down, as there are no skip-overs on this album.  Each of the nine songs on Heartspace Timepiece is definitely a ‘keeper’.       

http://phillycheezeblues.blogspot.com/






Sunday, February 8, 2015

Empty Trail - Hollow Hearted

2014 – Empty Trail
By Phillip Smith; Feb 8, 2015


I’m really impressed with the production on debut EP release Hollow Hearted from Austin, Texas rocker, Rick Lambert of Empty Trail.  This writer/vocalist/guitarist takes full control of the helm on this boat with fiercely intense guitar performances and furious beats. Upon first listen, I can’t help but feel the energy and hear the influences from bands like Soundgarden and Temple of the Dog.

“Above My Love” kicks off the six song masterpiece with a thunderous drum intro.  Lambert seeming channels the late, great Lane Staley, as his vocals seem to amazingly hang in mid-air.  When “Down” begins, I notice I seem to crank up the volume just a bit. This is absolutely one of my favorites.   Lambert kills with lush guitar licks and melodic vocals, perfectly fitted for rock and roll. 

Simply put, Hollow Hearted is stunningly great.  I have no doubt we will be hearing a lot more from Lambert and Empty Trail in the future.     




Saturday, February 7, 2015

Evan - New Folk

2015 – Evan
By Phillip Smith; Feb 7, 2015


The soothing sounds of New Folk by Evan are quite a refreshing change of pace when it comes to folk music.  Evan’s unique vocal styling and catchy acoustic rhythms provide the perfect vehicle for his cleverly written songs.  Songwriter/Guitarist/Vocalist Evan Meulemans is joined by drummer/percussionist Mike Underwood, and bassist Graham Prellwitz in the making of this earthy eight track album.

Title track, “New Folk”, a delightful tune about self-awareness and purpose, reels me in for the long haul.  This wonderful song has been swimming in my head since I first heard it.  I also am really drawn to the poppy track, “Morning Dew”, about letting down ones hair and running free.  It’s such a fun listen, it puts a big smile on my face each time I hear it.    

Ushering in a feeling of tranquilly is “Water Song”, a short and sweet little song about getting back to nature, and allowing fate to run its course.  Evan slows things down a bit on “Wishing Well”. Softly sung, and lightly played, this song poetically expresses a longing for a lost love.  I like the way this song unexpectedly picks up with a boost in tempo midway.       

New Folk is a positively charged, feel-good folk album which leaves me wanting to hear more.       




Sunday, February 1, 2015

Bryce Janey - Blues in my Soul : From the Archives #17



2010 – Grooveyard Records  
By Phillip Smith; July 10, 2010

Blues in my Soul, the latest release by Bryce Janey, shows true grit as it showcases his skillful song writing, fine guitar slinging, and deep soulful vocals.  There is a huge Texas blues presence on this album, akin to the likes of Billy Gibbons, Johnny Winter, and Stevie Ray Vaughan.   Accompanying Janey are Dan Johnson on bass, and Eric Douglas on drums.  Both are excellent musicians and assist in making Blues in my Soul the enjoyable listening experience that it is.  

The bass line Dan Johnson provides for “Walkin’ on a Live Wire”, is infectious and ominous.  I could listen to this song all day long.  It is my favorite track.  Janey has a talent for making his Strat sing, and the way he exhibits that talent makes this song a treat to listen to.   Another great song, “Mission For Love”, with its’ funky trance-inducing groove, is pure enjoyment. 

“City Under Water” stirred up a lot of emotion, as it unleashed memories of the flood of 2008 which hit Cedar Rapids very hard, and left an unfathomable amount of destruction.  The feeling of helplessness we all had as we saw the river rise out of its banks are duly expressed as Janey sings,  ‘The sky is falling.  The ground is coming up.  Water at my knees.  I’m running out of luck.’ 

Other notable cuts include a pair of really cool cover songs, Johnny Winter’s “Medicine Man”, and Robin Trower’s spacey ballad “In This Place”.   Blues in my Soul is a fine album.  Pick it up and have a good listen.


For more information about Bryce Janey :  http://www.thejaneys.com/


http://phillycheezeblues.blogspot.com/




Saturday, January 31, 2015

Josh Hoyer and the Shadowboxers - Living by the Minute


2015 – Silver Street Records  
By Phillip Smith; Jan 31, 2015

One might think this has to be a Detroit or Memphis band upon first listen, but Josh Hoyer and the Shadowboxers actually are from Lincoln Nebraska.  This is where the members of the band met and began creating some of the coolest and funkiest sounds being made today.  Living by the Minute, Hoyer’s electric sophomore album, is one big bowl of fun.  With Hoyer holding down the B2 and lead vocals, the Shadowboxers consist of guitarist Benny Kushner, drummer Justin G. Jones, and bassist Josh Bargar, along with Mike Dee on saxophone and Tommy Van Den Berg on trombone.

Hoyer suavely attacks the soulful "Blood and Bone" much like James Brown would’ve back at the Apollo, tossing out little growls like vocal grenades.  A funky bassline from Barger leads Hoyer and company through the Isaac Hayes influenced “Misfit Children”.  This is definitely one of my favorites.  Pure energy seems to emit from the pulsating, dance-friendly “Real Time”.  I could very well see Sharon Jones covering this one.  Backing vocalists Hanna Bendler, Kim Moser, and Megan Spain are a lovely addition to the stand-out track, “A Man Who Believes His Own Lies”. This song is the pocket Aces on the album.

Living by the Minute is pure satisfaction. It doesn't get much better than this.




For more information on Josh Hoyer and the Shadowboxers, visit their website at http://joshhoyerandtheshadowboxers.com/

Saturday, January 24, 2015

John Ginty - Bad News Travels Live CD/DVD


2014 – American Showplace Music 
By Phillip Smith; Jan 24, 2015


John Ginty’s latest album, Bad News Travels Live, is an electrified bowl of funky blues., New Jersey B-3 master Ginty recorded this twelve track, two disc album this past June, in front of a small audience, at Showplace Studios, in Dover NJ.  His band is composed of guitarist Mike Buckman, bass player Paul Kuzik, and drummers, Dan Fadel and Andrei Koribanics.  Joining Ginty was a superstar cast of guest musicians consisting of Albert Castiglia, Todd Wolfe, Chris Jacobs, Alexis P. Suter, and Jimmy Bennett.   

Saturated with a suitcase full of soul, Ginty’s playing reminds me so much of Booker T Jones.  Dripping of Sixties-era Memphis soul music, “Switch” emits a wave of encompassing good vibrations. “Arrivals” follows suit and continues the vibe.  

Tempos and moods both change when “Black Cat” comes around.  This slow-cooked blues tune, turns into a furious dueling jam between Albert Castiglia’s nitro-fueled guitar licks and Ginty’s ‘too hot to handle’ B-3 sounds.  Castiglia appears again for the Allman Brothers flavored tune, “Damage Control”.  Also lending a hand on that track is guitarist Chris Jacobs and singer Alexis P. Suter, who wonderfully belts out the lyrics with her amazingly deep trademark voice.  Suter also sings on the soulful R&B song, “Seven and the Spirit”.  I like the way it playfully closes out with a homage to both Otis Redding and The Blues Brothers, giving us a little taste of “I Can’t Turn You Loose”.     

“Rock Ridge” embodies the spirit of the late Frank Zappa, with its unique chord progressions and fascinating tempo changes.  A flawless guitar performance from Todd Wolfe and an awe-inspiring display of Ginty’s musical chops, make this a favorite.

I like how the entire cast is gathered together for the finale, “Trinity”.  This jam lasts nearly nine minutes in length, and leaves the listener uplifted, much the same way one would expect to feel exiting an old-time gospel tent revival.  It certainly leaves me with a smile on my face.  Bad News Travels Live is definitely one of the better live recordings I've heard in a while.    



Monday, January 19, 2015

Hamilton Loomis Band “ Live at the Hub” DVD : From the Archives #16


2012 
By Phillip Smith; Jan 10, 2015

Live at the Hub, recorded at The Hub, in Cedar Falls, IA is energetic, bluesy and captivating.  Within a two hour time frame, I have gone from not really knowing who Hamilton Loomis is, to being a brand new fan.  This DVD is very nicely produced and indeed captures the energy and playful vibe of the actual live performance.  The band is composed of Loomis (lead vocals, guitar, harmonica), Kent Beatty on bass guitar, Stratton Doyle holding down the sax and keyboards, and Ryan Cortez who keeps a funky and steady beat on the drums.  Intertwined between songs, are little documentary pieces of Loomis filling us in on the band’s beginnings, influences, and generally what makes it tick.  I liked these little windows into the band’s soul.  It’s in these little pieces where Loomis talks about opening for blues icon, Bo Diddley and generously being taken in under his wing.
Loomis’s mastery of the guitar and soulful vocals is well-complimented by his hip and youthful presence on stage.  The first song on the set list, “Best Worst Day” sets the tone for the rest of the show.  It’s funkdafied blues.  Doyle’s saxophone adds lushness to the sound.  The camaraderie between Loomis and Doyle reminds me a little of the camaraderie exhibited at a live Phish show between Trey Anastasio and Mike Gordon.  I definitely did a proverbial double-take during “Working Real Hard”, when Loomis and the band segue into Master Blaster (Jammin’) by Stevie Wonder.  They keep the funk rolling with ‘Stuck in a Rut’, singing, “I was stuck in a rut, but now I’m in a groove.”  Full of the good kind of positive energy, this song reminds me a bit of Tower of Power. 


His Texas blues influences kick in on “Voodoo Doll”, where he knocks an ‘over the wall’ homerun all while just ‘having some fun’ with Doyle on sax.  After one quick round of rock paper scissors, the two being exchanging licks, or as some people call it, “cutting heads”.  Bouncing back and forth trying to stump each other in a fascinating display, they roll through song samples such as ‘Walk This Way’, ‘Sunshine of Your Love’, ‘Brass Monkey’, ‘Billie Jean’, and ‘All Right Now’, culminating in an over-the-top full on attack finish. 

With Loomis being a protégé of Bo Diddley, you have to figure there is going to be at least a couple of tracks honoring him.  If you figured that, you’d be correct. Breaking out his red Gretsch Bo Diddley signature guitar, Loomis covers ‘Road Runner‘ which is immediately followed by ‘Who Do You Love?’.  The guitar was a gift from Bo Diddley which makes these tracks even more special.  Since Doyle is playing keyboards on this track, his saxophone is available for other things, such as taking on the role of the largest slide I have ever seen used on a guitar.  With the Bo Diddley guitar in one hand and saxophone in the other, Loomis slides the horn across the neck as he picks out the tune with the other, and afterward, tosses the sax back to Doyle who is still playing keyboards.          

Live at The Hub is delightful from start to finish.  These guys are the real deal musically, and cannot be accused of lacking in showmanship
   

Saturday, January 17, 2015

Rachelle Coba - Mother Blues


2014 – Mono Records  
By Phillip Smith; Jan 17, 2015



Mother Blues is the name of the debut album from Wichita, Kansas native Rachelle Coba, and an appropriate name it is.  This blueswoman writes, sings, and plays lead guitar.  By the way, she does it all extremely well.  Coba is undoubtedly the ‘whole enchilada’.  Backing her on this treasure chest full of tunes is upright bass player David M. Santos, and drummer Karl T. Himmel.

A favorite track about one of my favorite cities is “Never Been to Memphis”.  Hearing Coba sing her way down a list of all the cool Memphis sites, brings back wonderful memories of being in the Bluff City.  Her raspy voice is an excellent match for her guitar playing.  This bluesy boogie is accompanied by Ray Murry on piano.

“Ain’t Got Time (to Fall in Love)”, slides in like melted butter, as Coba belts out the lyrics with a ton of soul, which is then poured over a big bowlful of tasty little guitar licks.  One of the most beautifully played songs is “Between the Tracks”. Sung soft and sultry, I absolutely love this ballad.     

Coba gets the blood pumping again on “Chicago” a fun and bouncing ditty, ironically about high hopes gone bad.  “Telephone Song” taps into the deep well of classic blues, with Ron Taylor setting the mood with the help of his Hammond organ.  Coba’s guitar is impressive, on this slow and hearty track.

When it comes to blues musicians, Coba is the real deal.  It’s such a delight to find an album such as Mother Blues.  It definitely hits the spot.    


      
     



For more information on Rachelle Coba, visit her website at http://rachellecoba.com/



Sunday, January 11, 2015

Lucinda Williams - Down Where the Spirit Meets the Bone


2014 – Highway 20 Records  
By Phillip Smith; Jan 10, 2015


Among my favorite albums of 2014 is Lucinda Williams’ Down Where the Spirit Meets the Bone.  This two-disc, twenty song masterpiece is beautifully performed in her iconic country-laced style.  This album lies in the same wheelhouse as Springsteen’s 1982 album Nebraska.  The lyrics are so compelling; one can’t help but be pulled into her dark and oft-times dismal world. 

Williams chooses the slow and lovely, “Compassion”, to gently greet and ease the listener in to the album.  From a poem written by her father, acclaimed poet Miller Williams (April 8, 1930 – January 1, 2015), this song preaches indiscriminate compassion for our fellow man no matter how ironic it may seem.  What a wonderful world it would be if more people practiced this ideal.  Williams kicks in to gear with “Protection”, a high octane track about overwhelming vulnerability.  Bluesy guitar riffs, guide this one to the finish.

The dark and haunting “West Memphis” quickly brings to mind the Paradise Lost HBO documentaries which brought the story of the West Memphis Three into the spotlight.  Walking the line between country and blues, this song of injustice and prejudice is sure to kick any comfortable feeling still lingering around, right to the ground into a puddle of uneasiness.

Paying homage to the sounds of the Fifties and Sixties, Williams cleverly delivers “Wrong Number”, a song about missed connections, with a slow doo-wop beat.  “Big Mess”, with its cool walking bassline, joins along as well, with callbacks to that wonderful era of music. 

When “Stowaway in Your Heart” begins to play, I feel as if the Sun has finally penetrated the dark clouds above and punctured a little opening for its rays to beam through.  This poppy country song lightens things up with offerings of gratitude and flashes of hope.  It puts a smile on my face for sure.  My favorite track on the album, however, is “Everything but the Truth”.  Packed with swampy guitar licks, lush slide guitar, and grit, it just doesn’t get much better than this.


Down Where the Spirit Meets the Bone is so well-written, and superbly performed, I’d say it’s definitely an instant classic.  

Saturday, January 3, 2015

Roly Platt - Inside Out


2014 – Roly Platt  
By Phillip Smith; Jan 3, 2015


It takes a harpist like Roly Platt to show the world that a harmonica, in the proper hands, can be the main dish instead of a mere seasoning.  Platt, a thirty-five year veteran of the Canadian music scene and two-time Maple Blues Awards nominee for “Harmonica Player of the Year”, recorded eleven fantastic pieces for his first solo album, Inside Out.  Backing Platt in the studio is producer/keyboardist/pianist Lance Anderson, guitarist John Tilden, bassist Russ Boswell, and drummer Al Cross.  Platt also brings in special guests Steve Strongman, John Jordan, and Neil Chapman to join.
 
Platt pays an instrumental back-to-back homage to Ray Charles with “I Got a Woman” and “Georgia On My Mind”.  Break out the dancing shoes for “I Got a Woman”.  Platt tears this rip-roaring party song up while Tilden tosses out some quite impressive guitar licks.  Cross, on drums, brings it to closure very nicely.  Afterwards, settle in for a calming rendition of “Georgia On My Mind”.  I love the way Anderson sprinkles a bit of gospel seasoning on the Hammond organ while Platt nails every note.  And speaking of “gospel seasoning”, listen for the cleverly planted segue of “Bringing in the Sheaves”, which leads right into “Rippin’ It Up”, an original ditty about dances at the old church hall.  A throwback to the early years of Rock and Roll, Platt sings and plays this in the spirit of the Killer, Jerry Lee Lewis.  A tight instrumental performance on “Mad River” makes for a hell of a bluesy romp. This is a smokin’ jam that brings me great joy each time I hear it.  

With Steve Strongman on guitar and vocals, “Ocean of Tears” is pure blues, and sounds so good.  Played with heartfelt emotion, Platt makes it impossible for this song to go unnoticed.  Jordon John lends his amazing voice along with his acoustic guitar, for a very cool, country rendition of James Taylor’s “Bartender’s Blues”.   One more ‘must-mention’ track is the beautifully played “Over the Rainbow” from the film, The Wizard of OzPlatt and Anderson both score big on this lovely cover.

Inside Out is such a rewarding listen; one doesn’t have to be a blues harmonica fan to enjoy. 





For more information on Roly Platt, visit his website at http://www.rolyplatt.com/


Saturday, December 27, 2014

Toulouse Engelhardt - Mind Gardens


2014 – Lost Grove Arts  
By Phillip Smith; Dec 27, 2014


I absolutely love it when I hear an album for the first time, and the music totally captivates me.  That’s what happened upon my first listen of Toulouse Engelhardt’s fabulously composed instrumental album, Mind Gardens.  This thirteen track masterpiece is a trove of acoustic guitar forged treasures.

Engelhardt lulls the listener in with “Nierika”.  Softly played, this song brings forth a general mood of peace and tranquility.  Following right behind, is “Theme to the First Annual Bluebelly Lizard Roundup”.  This flawless performance opens up with amazing, fast licks, and came to be one of my favorite tracks.  Another favored selection is Engelhardt’s twelve string performance of Francis Poulanc’s “Sarabande”.  This song hits me with an instant familiarity and puts a big smile on my face.    

As Henry David Thoreau wrote about Walden Pond, Engelhardt expresses his affinity for nature through a piece called “Huckleberry Meadows Forever”. Inspired by Huckleberry Meadows in the Sierra Nevada, this song, beautifully played on a twelve string guitar, emits a wave of calmness.   

One of the biggest treats on Mind Gardens is a mind blowing cover of “the Wedge”, originally recorded by the King of Surf, Dick Dale.  This is a perfect song for Engelhardt to showcase his incredible guitar playing skills.  Showing his guitar no mercy, Engelhardt keeps true to the original spirit of the song, brandishing a fast and furious performance.

To hear an expert guitarist, such as Engelhardt, play is pure joy.  Mind Gardens is not just an album, it’s an aural experience.






Friday, December 19, 2014

GravelRoad - El Scuerpo


2014 – Knick Knack Records
By Phillip Smith; Dec 19, 2014

El Scuerpo, the latest release from Seattle-based musicians, GravelRoad is slathered in down-home country blues, amplified, and delivered by Thor, the god of thunder.  Guitarists Stefan Zillioux and Jon Kirby are joined by drummer Martin Reinsel and bassist Joe Johnson to deliver this eight-track album so full of electricity, it’s addicting.   

Zillioux’s gravelly vocals are made for singing the blues.  It really stands out on “Wolf On Down the Way”. This track has a retro old-school vibe.  Then there is “40 Miles”, one of my favorite songs on the album.  I love the echoing sounds from the dual guitar as they harmonize.  It’s such a cool experience to hear.  

It is amazing what the band does with Junior Kimbrough’s “Lord Have Mercy”. Guest singer Lisa Kekaula nails this one down with the smoky sounds of her voice as the guys pour in the psychedelia.  If Pink Floyd had recorded this in their earlier years, this is what I imagine it would sound like. “Asteroid”, is another cool fuzzy ball of psychedelic fun. It’s the musical equivalent of an army of Spartans marching off to battle.

As if specially written to be after-dinner music for the infamous Donner Party, “Flesh and Bone” take a “tongue in cheek” comedic jab at cannibalism in a hoe-down style.  Ironically, this after-dinner mint also happens to be the most infectious selections on the album. It’s still stuck in my head.

I’m definitely going to keep this album close by for a while.        



Saturday, December 13, 2014

Dave Fields - All In

2014 – FMI Records
By Phillip Smith; Dec 13, 2014


All In, the latest release from New York City bluesman Dave Fields, is a great guitar-centric album to settle in with, for a good listen.  The songs are fresh, and Field’s guitar playing is magnificent.  He not only plays all instruments on most of the eleven tracks, he produced the album as well.

Fields ushers the listener into the album like a lion, with a ferocious guitar intro and no-nonsense blues in “Changes In My Life”.  More of the same bluesy goodness can be found on “Wake Up Jasper”.  Fields tackles Robert Johnson’s “Crossroad” in a more gritty nature than usual, and breathes new life into this timeless tale of regret and damnation.  One can feel the raw energy surging through the guitar as he plays.  Fields then takes Led Zeppelin’s “Black Dog”, flips it one hundred eighty degrees, and turns it into a fun danceable number with an infusion of funk. 

Two other favorites include, “Voodoo Eyes”, and “Dragonfly”.  Infectious grooves and soulful guitar licks accompanied by Vladamir Barsky on organ give “Voodoo Eyes” a retro late-sixties vibe.  I love the way “Dragonfly”, an elegantly melodic song, slowly builds to a fantastic eruption of sound.  This track which features Kenny Soule on drums and Tony Tino on bass, seemingly draws a lot of inspiration from the band, Yes.

One can surely tell, Dave Fields went “All In” on the creation of this album.  It’s definitely worth checking out.

http://phillycheezeblues.blogspot.com/

Saturday, December 6, 2014

Henry Carpaneto - Voodoo Boogie


2014 – Orange Home Records
By Phillip Smith; Dec 6, 2014


Voodoo Boogie, the latest release from Italian pianist Henry Carpaneto is a spectacular twelve track collection of New Orleans style piano blues. Bryan Lee, who was part of a US tour with Carpaneto recently, collaborates as singer, guitarist, and co-producer on this venture, which also includes guitarist Otis Grand on three tracks as well.  Another notable musician on the album is Tony Coleman, who has been B.B. King’s drummer for several years.

From the grand opening notes played by Lee on “Drinking & Thinking”, I knew I was in store for some serious listening.  Carpaneto’s barrelhouse piano playing sounds soulful and timeless alongside Lee’s bluesy vocals and sweet guitar licks.  I love the authenticity of “Welfare Woman”.  Carpaneto’s playing is amazing, as is Lee’s, making this track a sure favorite.

The tracks Grand sits in on, (“Calidonia”, “Dog & Down Blues”, and “Rock Me Baby”), are all magnificent as well.  The saxophone accompaniment provided by Paolo Maffi gives “Calidonia” a cool retro vibe.  Maffi brings it again on the fabulous, “Dog & Down Blues”,while Carpaneto and Grand exquisitely play it nice and slow.

Masterfully produced and exquisitely performed, Voodoo Boogie is a definite must for serious fans of the blues.  


            

Saturday, November 22, 2014

Tommy Talton - Until After Then


2014 – Hittin’ the Note
By Phillip Smith; Nov 22, 2014


I just can’t seem to get enough of singer/songwriter Tommy Talton’s (Cowboy, ex-We the People) latest album, Until After Then.  Not straying too far from his wheelhouse, based on country/southern rock, Talton masterfully walks the listener through this elegantly constructed album using a medley of different themes and musical styles.   

Talton is all revved up and ready to change the world for the better, in title track, “Until After Then”.  Snazzy guitar licks, and catchy hooks reminiscent of Todd Rundgren’s “We Gotta Get You a Woman” bring this track to the forefront. “Real Sugar” is a fun one too. It cleverly lambasts the food industry with its quirky lyrics, knocking the habitual inclusion of synthetic ingredients and additives like high fructose corn syrup and polysorbate 60 into our food.  This track is served with a nice big slice of funk with accompaniment from Kelvin Holly on wah-wah guitar, Brad Guin on sax, and Ken Watters on trumpet.  Still on track with changing the world, “Mr. Love” slows it down a notch to provide a poppy commentary about gun control in a Paul McCartney-esque style.    

I have a soft spot for “My O My”, a cool and fragile little love song about living life “two as one”. Talton beautifully plays this one on acoustic guitar. The track that really puts the smile on my face though, is the bonus track, “Surfin’ the Levee”.  This is a homage to seventies rock, like that heard from bands such as the Allman Brothers and Deep PurpleKenny Head attacks the organ much the same way as Edgar Winter, giving an outstanding performance, as Talton throws out tasty groovy licks from his guitar.   

I immensely enjoy the lyrical and stylistic twists and turns that present themselves while listening to this album.  Until After Then is a delight to hear.