#400 : Ruf Records - 25 Years Anniversary

2019 - Ruf Records  

by Phillip Smith; July 12, 2019

To commemorate the 400^th PhillyCheeze’s Rock & Blues Review, I want to shine some light on the special 25 Years Anniversary disc from Ruf Records.  This is one hell of a collection.  This edition contains both a 14 track CD, and a 12 video, 62-minute DVD .  The CD features a ton of music from Ruf’s most recent releases, while the DVD delightfully spans their entire era, going back to the Luther Allison days.  

After seeing Ruf’s Blues Caravan last year in 2018, I was happy to see the disc containing songs by Ally Venerable, Mike Zito, and Bernard Allison who all shared the stage at the 2^nd annual Czech Village Blues festival, here in Cedar Rapids, Iowa last August.  Ally rips it up on guitar and belts out the title track to her latest album, “Texas Honey”.  Zito’s song is also the title track for his latest, “First Class Life”.  I love the slide guitar on this one.  The swampy, funky goodness of Bernard’s “Backdoor Man” is so enjoyable.  Vanja Sky, who played on the European legs of the caravan, gives us the smokin’ blues in “Hard Working Woman”.   

Ruf also includes the sultry “Chills and Fever” from the wonderful Samantha Fish, and  Ina Forsman’s exquisitely danceable ’ “Get Mine”.  For the classic blues-head, there is “Low Down“ from The B.B. King Blues Band, and hardcore soul music fans will surely dig “Deep in my Soul” from Big Daddy Wilson.  Also nice to hear, is my favorite Savoy Brown song from the past few years, “Why Did You Hoodoo Me”.  It definitely cuts to the bone.    

The DVD begins with a spectacular performance of Denmark’s Thorbjørn Risager & The Black Tornado fabulously performing “If You Wanna Leave”.  It’s so cool to see Mike Zito, Devon Allman and Cyril Neville jam together on “Moonlight Over the Mississippi”.  Oli Brown’s driving blues-rock anthem “Here I Am” is captivating.  From the 2019 Blues Caravan, there’s a terrific video of Katarina Pejak, Ina Forsman and Ally Venable covering the classic Stevie Ray Vaughan song “If the House is Rocking”, and they sound great.  For a wonderful song to close with, Luther Allison soulfully sings “Living in The House of Blues”.

Ruf Records 25 Years Anniversary should be in the collection of every blues fan.  It is a powerhouse of a retrospective.      

Associated PhillyCheeze Reviews include:

https://phillycheezeblues.blogspot.com/2017/06/thorbjrn-risager-black-tornado-change.html

https://phillycheezeblues.blogspot.com/2014/06/thorbjrn-risager-black-tornado-too-many.html

https://phillycheezeblues.blogspot.com/2018/08/347-czech-village-blues-aug-11-2018.html

https://phillycheezeblues.blogspot.com/2018/07/344-vanja-sky-bad-penny.html

https://phillycheezeblues.blogspot.com/2019/06/395-big-daddy-wilson-deep-in-my-soul.html

https://phillycheezeblues.blogspot.com/2019/03/384-bb-king-blues-band-soul-of-king.html

https://phillycheezeblues.blogspot.com/2018/03/322-victor-wainwright-and-train-self.html

https://phillycheezeblues.blogspot.com/2018/01/313-bernard-allison-let-it-go.html

https://phillycheezeblues.blogspot.com/2017/09/savoy-brown-witchy-feelin.html

https://phillycheezeblues.blogspot.com/2017/04/samantha-fish-chills-fever.html

https://phillycheezeblues.blogspot.com/2016/02/ina-forsman-ina-forsman.html

#460 : Kat Riggins - Cry Out

 

2020 – Gulf Coast Records

By Phillip Smith; Aug. 29, 2020

 

It’s been almost four years since being smitten by the music of Kat Riggins, with her 2016 album Blues Revival.  That album was so incredible.  Her brand-new album, Cry Out is yet another musical masterpiece.  Recorded on Mike Zito’s label Gulf Coast Records, the album has a big Zito presence.  Each of the original thirteen tracks were written by Riggins and composed by Zito, with the only exception being a short thirty-five second interlude of “Hand in the Hand”.  Backing Riggins on the album is drummer Brian Zielie, bassist Doug Byrkit, featuring Zito on guitar.  

“Son of a Gun” kicks the record off with a big meaty bassline, locked and loaded with a driving rhythm.  It’s a southern rocker infused with Seventies-style stanky funk, and packed with soul.  A fitting song for the times, title-track “Cry Out” is steeped in blues, and topped with a big slice of juicy harp.  “Catching Up” captivates me with Riggins’ smooth, powerful vocals which ride atop a tide of infectious riffs and thunderous beats.  Her no-holds-barred delivery on “Can’t You See Me Now” is nicely punched up with blasts of brass and hot guitar licks.  Kat sings the blues with abundant intensity in “Burn it All Down”, as she goes all-in for a final showdown in a shaky relationship. “The Storm” ominously wraps the album up in a harrowing and blues-soaked manner.  Riggins’ gives a dynamic performance as Zito takes his guitar out for a lush and psychedelic walk. 

Kat Riggins is definitely among the top of my list when it comes to favorite blues singers today.  As a songwriter, her mastery of writing blues songs is quite noteworthy.  Cry Out is an excellent album in all regards.                   

 ---

For more information about the artist, visit this website : katriggins.com

 

PhillyCheeze’s Sep.16, 2016 review of Kat Riggins’ Blues Revival

https://phillycheezeblues.blogspot.com/2016/09/kat-riggins-blues-revival.html

 

 

#443 : Tyler Morris - Living in the Shadows

2020 – Vizztone

By Phillip Smith; May 2, 2020

I’ve been a fan of Tyler Morris since reviewing his 2018 album Next in Line.   He continues to push the envelope when it comes to mastery of guitar, and his latest release Living in the Shadows is testament to that fact.  Backing Morris on this album is bassist Terry Dry, drummer Matthew Robert Johnson, and Lewis Stephens on Hammond B3 and Wurlitzer piano.  Produced by Mike Zito, this fourth release from Morris also features a remarkable guest list comprised of Ronnie Earl, Joe Louis Walker, and Amanda Fish.  

Morris pours out some magnificent blues with a terrific cover of Don Nix’s “Everybody Wants to go to Heaven”.  Zito and Walker both take the mike on “Polk Salad Annie” while Stephens lays down the rich sounds of B3.  Morris absolutely sizzles on guitar.  The notes weightlessly float through the air with “Temptation”, a beautifully executed original.  Amanda Fish, whose music I adore, is guest singer on “Better Than You”.  This riveting Suzi Quatro-esque blues-rocker was penned by Zito and co-founder of Gulf Coast Records, Guy Hale.   With “Young Man Blues”, Morris pays homage to the artists and musicians who gave him inspiration over the years.  Ronnie Earl provides additional guitar on the song, and it sounds great.  Morris infuses a tremendously infectious riff fortified with stellar licks on “Taken From Me”.  This one has a way of coaxing me to turn the volume up.  The record ends with the heavy, rocking blues of “I’m on to You”, another smokin’ original.  Hearing him rip it up on guitar is a sheer delight.

Living in the Shadows is a rock-solid album loaded with blazing guitar performances.  Morris’ playing is downright amazing. Thanks to younger blues artists like him, the Blues will be around for quite a while longer.

---          

For more information about the artist, visit this website :  http://www.tylerdmorris.com/

Reviews and Articles for Blues Revue Magazine 2011- 2013 .

by Phillip Smith

Paul Thorn - What The Hell is Goin' On?

http://bluesrevue.com/2013/04/paul-thorn-what-the-hell-is-goin-on-4-19-13/#

Craig Erickson - Galactic Roadhouse

http://bluesrevue.com/2013/04/craig-erickson-galactic-roadhouse-4-05-13/#

Josh Smith - Don't Give Up On Me

http://bluesrevue.com/2013/03/josh-smith-dont-give-up-on-me-3-08-13/#

Betty Fox Band - Too Far Gone

http://bluesrevue.com/2013/02/betty-fox-band-too-far-gone-2-22-13/#

Kenny Wayne Shepherd Concert 1/26/13 Review

http://bluesrevue.com/2013/02/blues-beat-kenny-wayne-shepherd-show-review-2-01-13#

Kenny Wayne Shepherd photos from Concert 1/26/13 Riverside, IA

http://bluesrevue.com/2013/02/the-photo-page-kenny-wayne-shepherd-live-2-01-13/#

David Hidalgo / Mato Nanji / Luther Dickinson – 3 Skulls and the Truth

http://bluesrevue.com/2013/01/david-hidalgo-mato-nanji-luther-dickinson-3-skulls-and-the-truth-1-04-13/#

The Mokats - Crossover Blues

http://bluesrevue.com/2012/12/the-mokats-crossover-blues-12-21-12/#

Hamilton Loomis - Live at the Hub, DVD

http://bluesrevue.com/2012/11/hamilton-loomis-band-live-at-the-hub-dvd-11-16-12/#

Simon McBride - Crossing the Line

http://bluesrevue.com/2012/11/simon-mcbride-crossing-the-line-11-09-12/#

Bob Dylan - Tempest

http://bluesrevue.com/2012/11/bob-dylan-tempest-11-02-12/#

Colin Linden - Still Live

http://bluesrevue.com/2012/09/colin-linden-still-live-9-28-12/#

Killing Floor - Rock 'n' Roll Gone Mad

http://bluesrevue.com/2012/09/killing-floor-rock-n-roll-gone-mad-9-14-12/#

Chris Watson Band - Pleasure and Pain

http://bluesrevue.com/2012/08/chris-watson-band-pleasure-and-pain-8-17-12/#

Darren Jay & the Delta Souls - Drink My Wine

http://bluesrevue.com/2012/08/darren-jay-the-delta-souls-drink-my-wine-8-10-12/#

Johnny Rawls - Soul Survivor

http://bluesrevue.com/2012/06/johnny-rawls-soul-survivor-6-22-12/#

Debbie Bond - Hearts Are Wild

http://bluesrevue.com/2012/06/debbie-bond-hearts-are-wild-6-15-12/#

Eddie C Campbell - Spider Eating Preacher

http://bluesrevue.com/2012/05/eddie-c-campbell-spider-eating-preacher-5-25-12/#

Riverside Casino Blues Weekend Review

http://bluesrevue.com/2012/04/blues-beat-blues-weekend-at-riverside-casino-4-20-12/#

Riverside Casino Blues Weekend Photos:

http://bluesrevue.com/2012/04/the-photo-page-riverside-casinos-blues-weekend-4-20-12/#

Stacy Jones Band = No Need To Spell it Out

http://bluesrevue.com/2012/04/stacy-jones-band-no-need-to-spell-it-out-4-20-12/#

Mighty Sam McClain & Knut Reiersrud - One Drop is Plenty

http://bluesrevue.com/2012/04/mighty-sam-mcclain-knut-reiersrud-one-drop-is-plenty-4-13-12/#

Tony Spinner - Down Home Mojo

http://bluesrevue.com/2012/03/tony-spinner-down-home-mojo-3-23-12/#

Roy Trevino - self titled

http://bluesrevue.com/2012/03/roy-trevino-roy-trevino-3-16-12/#

Bryce Janey - Game of Life

 http://bluesrevue.com/2012/02/bryce-janey-game-of-life-2-17-12/#

Mike Zito - Greyhound

 http://bluesrevue.com/2012/01/mike-zito-greyhound-1-20-12/

Mississippi Fever - Self Titled

http://bluesrevue.com/2012/01/mississippi-fever-mississippi-fever-1-6-12/#

Jay Gordon's Blues Venom - No Cure

 http://bluesrevue.com/2011/12/jay-gordons-blues-venom-no-cure-12-30-11/#

Coyote Kings - Move

http://bluesrevue.com/2011/12/coyote-kings-move-12-16-11/

Marco De Sade Band - Take No Prisoners

http://bluesrevue.com/2011/12/marco-de-sade-band-take-no-prisoners-12-16-11/#

BillyLee Janey - No Saints Ringin' the Bells

http://bluesrevue.com/2011/11/billylee-janey-no-saints-ringin-the-bells-11-04-11/#

David Bromberg - Use Me,

http://bluesrevue.com/2011/07/david-bromberg-use-me-7-8-11/

Levee Town - Pages of Paperwork ,

http://bluesrevue.com/2011/07/levee-town-pages-of-paperwork-7-22-11/

Reverend Peyton's Big Damn Band - Peyton on Patton,

http://bluesrevue.com/2011/07/the-reverend-peytons-big-damn-band-peyton-on-patton-7-29-11/

Levon Helm - Ramble at the Ryman ,

http://bluesrevue.com/2011/09/levon-helm-ramble-at-the-ryman-9-2-11/

Trampled Under Foot - Wrong Side of the Blues,

http://bluesrevue.com/2011/06/trampled-under-foot-wrong-side-of-the-blues-6-10-11/#

Dr. Duke Tumatoe - I Just Want To Be Rich

http://bluesrevue.com/2011/04/dr-duke-tumatoe-i-just-want-to-be-rich-4-22-11/#

Bryce Janey - Blues in My Soul

http://bluesrevue.com/2011/01/bryce-janey-blues-in-my-soul/#

Colin Gilmore - Goodnight Lane

http://bluesrevue.com/2011/01/colin-gilmore-goodnight-lane/#

John Lee Hooker Jr., - Live in Istanbul Turkey

http://bluesrevue.com/2011/01/john-lee-hooker-jr-live-in-istanbul-turkey/#

#445 : Albert Castiglia - Wild and Free

2020 – Gulf Coast Records 

By Phillip Smith; May 16, 2020

Albert Castiglia’s prowess as a guitarist never ceases to amaze me.  He is one of my go-to artists when I really want to hear my blues sizzle.  His latest album Wild and Free definitely cooks.  Produced by Mike Zito and recorded live on January 3^rd and 4^th, 2020 at the Funky Biscuit in Boca Raton, Florida, this recording features guests John Ginty, and Lewis Stephens with Zito himself making an appearance.  Castiglia’s rhythm section is comprised of bassist Justine Tompkins, and drummer Ephraim Lowell.  They sound great, and they’re tight as hell.    

Castiglia kickstarts the album with a furious, intense rush by leading off with “Let the Big Dog Eat”.  Stephens adds a delightful taste of soul on B3, while the others keep it funky.  The momentum continues to build with “Hoodoo on Me”.  Castiglia’s fearless, blues-soaked vocals are perfectly fit for his attention-grabbing guitar licks.  Then “Heavy” gently rolls in on this big mellow wave.  This beautifully written and executed song about life itself is one of my absolute favorites.  I also adore their eight and half minute colossal jam on Paul Butterfield’s “Lovin’ Cup” with Ginty on B3.  I can’t help but smile when Castiglia and the guys dive in to Johnny Winter’s “Too Much Seconal” with both Ginty and Zito stepping in for some old school blues.  This is what it’s all about.  “Boogie Funk”, another bodacious eight and half minute jam, brings things to a lively close with a riveting performance and plenty of searing guitar action. 

To fill the void in these times in which live music is not available, Albert Castiglia’s Wild and Free is exactly what I need to hear.              

 ---

For more information about the artist, visit this website.. www.albertcastiglia.net

#594 > Tas Cru - Riffin' the Blue (PhillyCheezeBlues.Blogspot.com)

2023 – SubCat Records

By Phillip Smith; Jan. 28, 2023

Release Date : Feb. 3, 2023

Original source : phillycheezeblues.blogspot.com

 

Riffin’ the Blue, the latest from New York bluesman Tas Cru, certainly lives up to its name.  The riffs are infectious and deliciously bluesy, making for a fantastic new batch of home-grown originals from Tas.  The album is self-produced and features Tas on vocals and guitar with Mary Ann Casale on backing vocals, Ron Keck on percussion, Bruce Katz on piano/organ, Andy Hearn on drums, and Bob Purdy on bass.  Special guests include Mike Zito, Lenny Milano, and Bill Barry.

With Zito tearing it up with a smoking performance on lead guitar, the album bursts wide open with the title-track “Riffin’ the Blues”.  The organ accompaniment from Barry sounds glorious on this rocking blues shuffle.  A funky beat and a swinging rhythm is the backbone for the rally cry of “Stand Up”.  It’s an absolute favorite which quickly brings me up on my feet.  I love the lush Mark Knopfler-ish tone Tas pulls out of his guitar on “Throw it All Away”.  Tas’ approach to writing and composing often reflect a Warren Zevon kind of style.  “Crazy Getting in My Way” is a fine example of a song which falls into that category.  It’s quite an amazing track.  Riffin’ the Blue concludes with the haunting blues of “Memphis Gone” which showcases the talent of Zito on slide guitar.  The emotion Tas poignantly pours into his vocal and guitar performance is deeply felt.    

Riffin’ the Blue is a brilliant album and is now my favorite release from Tas Cru.  I highly recommend this one. 

---

   

For more information about Tas Cru, visit his website at : https://tascru.com

 

Check out other PhillyCheeze reviews for Tas Cru at :  https://phillycheezeblues.blogspot.com/search?q=tas+cru

 

 

Alastair Greene - Dream Train

2017 –Rip Cat Records

Release Date : Oct 20, 2017

By Phillip Smith; Sep 23, 2017

Alastair Greene recently parted from his seven-year gig as Alan Parson’s touring guitarist and made the decision to follow his musical dream of pursing a full-time solo career. His most recent album, Dream Train, produced and mixed by David Z is a monumental one to say the least.  It contains a dozen originals and one fabulous cover.  With Greene on guitar and vocals, he is joined by Jim Rankin on bass, and Austin Beede on drums.

Beede’s thunder-filled pounding beats fuel title-track “Dream Train” as Greene kicks it into full-throttle fearlessly blasting his turbo-charged electric blues. “Nome Zayne”, a previously-unreleased Texas-style blues-rocker written by Billy Gibbons (ZZ Top) and featuring the great Walter Trout is funky and infectious.  It’s definitely one of my favorites, as is “I’m the Taker”.  Greene keeps this one powerful, raw and a bit psychedelic. 

    

The instrumentals on this album are delightful.  So elegant is “Song For Rufus”.  Though clocking in at just less than two minutes in length, it carries heartfelt warmth. “Iowa” is a blessing to hear as well, and not just because it is where I call my current home.  The rich sounds from organist Mike Finnegan and the gentile waves of crashing cymbals provide a perfectly textured space for Greene’s guitar to explore.  This gorgeous song quickly brings to mind my first listen of Eric Johnson’s Tones album.  Debbie Davies appears with guitar in hand for a swinging instrumental blues jam on “Grateful Swagger” and it is downright terrific.  

There’s a heavy North Mississippi Delta vibe in “Rain Stomp”.  Greene plays this wonderful callback to classic blues slathered up with a heaping dose of exquisite swampy slide.  A collaboration with Mike Zito results in one badass song called “Down to Memphis”.  The riffs are hard and intense.  The slide guitar is fantastic.  

One listen to Dream Train, and it’s so very obvious Alastair Greene made the right decision to pursue his musical dream.  This is absolutely one stellar blues-rock album.

   

 ---

Albert Castiglia - Up All Night

2017 –Ruf Records

Release Date : Oct 6, 2017

By Phillip Smith; Oct 14, 2017

Albert Castiglia is definitely on a roll. He pulls no punches on his latest album “Up All Night”.  With an all-new band consisting of bass player Jimmy Pritchard and drummer Brian Menendez, Castiglia again enlists Mike Zito to produce, help write, and toss some of his trademark guitar and vocals into the ring.  Also making appearances on this magnificent blues-rock album are music masters Lewis Stephens on keys, Sonny Landreth on slide guitar, and Johnny Sansone on harmonica.

Castiglia presses the pedal to the metal, as he lays a long trail of rubber on “Hoodoo on Me”.  Penned by Zito, this heavy-hitting blues-rocker rides a thick relentless bassline and showcases Castiglia’s guitar mastery.  Smattered with a slough-full of funky psychedelic licks, his cover of Brian Stoltz’s (funky Meters) “I’ve Been Up All Night” is engaging and groovy.  Landreth’s slide guitar on Castiglia’s tale of outrunning a hurricane in “95 South” is marvelous and swampy, just the way I love it. 

Included in this recording are a couple of outstanding songs from Graham Wood Drout (Iko Iko) who Castiglia collaborated with in 2006 on a record called The Bittersweet Sessions: “Three Legged Dog” and “Knocked Down Loaded”.  Both have the unique gift burying themselves in my head for hours on end.  I love Castiglia’s nitro-charged take on Luther “Snake Boy” Johnson’s “Woman Don’t Lie”.  It’s a sizzling delight.   

Castiglia won me over with his previous album, “Big Dog” which I reviewed in June of 2016.  I remember thinking how tough it was going to be for him to top that album. He did though.  “Up All Night” is absolutely wonderful and has set a new bar. 

---

The PhillyCheeze review of Albert Castiglia’s Big Dog album  > 

https://phillycheezeblues.blogspot.com/2016/06/albert-castiglia-big-dog.html

  

#476 : Kevin Burt - Stone Crazy

 

2020 – Gulf Coast Records

By Phillip Smith; Dec. 12, 2020

 

It’s hard to believe two years have passed since Kevin Burt released his break-out album, Heartland & Soul.  That was such a splendid recording.  Stone Crazy, his very latest album is plumb phenomenal, built of songs focusing on his own experiences in life, love, and relationships.  Burt proves once again, he is a superfecta of entertainment, with his unique soulful vocals, harmonica mastery, insightful songwriting, and delicate guitar styling.  This time around, Burt is working with Mike Zito and his label Gulf Coast Records.  Zito not only produced the album, but also appears on guitar, along with Doug Byrkit on bass guitar, Matthew Johnson on drums, Lewis Stephens on keys, and Jimmy Carpenter on saxophone.

With an enormous blast of juicy blues harp from Burt, the record opens with the infectious groove of “I Ain’t Got No Problem With It”.  From this moment, I am hooked.  I love the swampy slide guitar and harp combo on “Rain Keeps Coming Down”.  This is pure blues, and it sounds fantastic. 

Burt goes into troubadour-mode with title-track love ballad “Stone Crazy”.  The song glistens with heart-felt soul.  With one exception, this album consists of all original songs written by Burt.  That exception is a of the Bill Withers’ flip side to his “Lean on Me” single “Better Off Dead”.  Burt takes this funky-yet-intense, down-hearted song and definitely makes it his own.

The record comes to a deep and heady conclusion with the poignant “Got To Make a Change”.  Burt’s performance is passionate and reflective.  Stone Crazy is definitely an album you’ll want to own.

---

 

 

For more information about the artist, visit this website:  http://kevinburtmusic.com/

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  

Billy Pierce - Shapes of Soul

2016 –  Got Slide Records

By Phillip Smith; Dec. 3, 2016

The tunes on Billy Pierce’s latest album, Shapes of Soul is chock full of New Orleans-rooted jams topped off with some of the best slide guitar around.  Pierce’s band includes the multi-talented bassist/producer Charlie Wooton, drummer Doug Balote, and keyboardist Keiko Komaki.  Special guests include the magnificent trombonists of Bonerama ( Mark Mullins, Craig Klein, and Greg Hicks), Mike Zito, Jason Ricci, Jeff T. Watkins, and Michael Doucet.   

Pierce sings about struggling with money in “Paycheck to Paycheck”, an electric song with a smooth jazz vibe, featuring a terrific performance by the guys in Bonerama.  Harp player Jason Ricci dishes out a captivating performance on “Me and the Misses”.  Title track “Shapes of Soul” is a wondrous instrumental in which Keiko Komaki ‘s piano performance beautifully compliments Pierce’s slide guitar.  “Delta Queen”, a torch song for the southern man is immersed in a cool groove and slathered with scrumptious slide as well.  The contrasting guitars from Zito and Pierce sound amazing on “Tears of Joy”.  I love the way this song takes a hard right turn into the land of controlled chaos.  This song turns into one tasty jam when Balote ups the tempo and Komaki attacks the B3 with full force.  Massive waves of funk and infectious grooves make “Katrina” a definite standout.

 I get a little hypnotized with each and every listen to this delightful instrumental.

Pierce carefully explores the music acknowledged for its southern roots, and creates beautiful micro-blends of jazz, blues, and country which lay the foundation for Shapes of Soul.    

#412 : Odds Lane - Lost & Found

2019 – Gulf Coast Records

By Phillip Smith; Oct. 12, 2019

Odds Lane, the St. Louis blue-rocking duo on Mike Zito’s new label, Gulf Coast Records, has surely caught my attention with their new album Lost & Found.  Formed nearly sixteen years ago by multi-instrumentalist Doug Byrkit and drummer/percussionist Brian Zielie, this song-writing duo has been friends since 8^th grade.  Lost & Found is inspired by their work with Zito on his Blue Room album, which is now celebrating its 20^th anniversary with a remastered release on Ruf Records.

The driving pulse of “Blood on the Van” sinks its claws in fast, and holds steady while greeting the listener with a great big dose of rockin’ blues.  I love the gritty rhythm and the enormous punk beat which frames “Don’t Give it Away”.  “Moth to a Flame” reaches into the territory of Southern Rock, and is quite reminiscent of the Muscle Shoals sound.  The slide guitar on this sounds great, and the song has a playful-energetic groove.  Another favorite, “White Castle Blues”, is a searing tribute to those wonderful, little, square burgers I have been known to trek out of my way score a sackful.  Afterall, “The crave is a powerful thing”, and so is this album.             

---

For more information about the artist, visit their website:  oddslane.com  

#457 : Mark May Band - Deep Dark Demon

 

2020 – Gulf Coast Records

By Phillip Smith; August 8, 2020

 

Deep Dark Demon, the seventh release from Mark May Band is a power-packed album of blues-rock featuring interesting original songs, soulful vocals and fierce guitar performances.  May, who cut his teeth in the Houston, Texas area playing biker bars and blues clubs for over twenty years, was also a member of Dickey Bett’s band for a while.  Killing it on lead vocals and lead guitar, he secures the front-man role of the band, which is also comprised of Billy Wells on vocals and rhythm guitar, Darrell Lacy on bass guitar, Brandon Jackson on drums for seven tracks, Geronimo Calderon on drums for four tracks, Barry Seelen on B3 for seven tracks, Shawn Allen on B3 for four tracks, and Al Pagliuso on percussion.  

The record rolls in a with “Harvey’s Dirty Side”, which boasts a heavy Allman Brothers meets Lenny Kravitz vibe.  Seelen’s beefy B3 riffs add a serious backup to May’s tantalizing guitar licks and mesmerizing style.  The relaxed pace on “BBQ and Blues” sets a perfect mood for a backyard cook-out abundantly stocked with coolers of ice-cold beer.  May bestows a Santana-esque flavor in”Back”.  This Latin-infused blues-rocker is an amazing listen.  May’s guitar prowess shines brightly on this masterpiece.

With Deep Dark Demon being recorded on Mike Zito’s Gulf Coast Records label, it’s a pleasure to hear Zito himself ripping it up on the title-track.  This slow-cooked number definitely brings the blues back home in style.  I love the dual lead guitar intro on “My Last Ride”.  May’s reflective lyrics and a driving rhythm are tremendous bookends for his stunning guitar-play.  The icing on the cake, “Invisible Man” brings the album to a fabulous close with a big bodacious bowl of eighties-style funk.  Although May’s soulful and debonair voice takes the front seat, I absolutely dig his use of the talk box on this track. 

Deep Dark Demon, satisfies on many levels.  It’s a terrific album through and through.       

---          

For more information about the artist, visit this website : markmay.com

 

 

#425 : Joanna Connor - Rise

2019 – M.C. Records
By Phillip Smith; Jan. 4, 2020

For over thirty-five years, Joanna Connor has been wooing blues fanatics in the Windy City.  Rise represents her thirteenth album, and third for M.C. Records.  After spotlighting her 2016 release Six String Stories on my blog and being gobsmacked while watching her perform at the 2017 Czech Village Blues festival in Cedar Rapids, Iowa, it’s a great pleasure to hear new music from this fabulous musician.  Connor, on guitars and vocals, is backed by bassist Joewaun Jay Red Scott, drummers Cameron Lewis and Tyrone “TY Drums” Mitchell, Delby Littlejohn on keys and Ryan Shea on sax.

Joined by Keithen Banks on vocals and rapper Alphonso Buggz Dinero, Connor starts the record off with a delightful dose of funk-filled R&B in “Flip”.  This is where all the fun begins.  Then, with guitar in hand, Mike Zito steps in on “Bad Hand”.  This uplifting track is accented quite nicely with a beautiful keyboard performance from Littlejohn.  Lewis tears it up on the jazz instrumental “Joanna in A”.  This is one hip track that feeds the spirit.  Another great instrumental is the cover of Sly Stone’s “If You Want Me to Stay”.  I dig it when Scott pours the funk on the bass.  Listening to Connor play “My Irish Father” is an absolutely astonishing experience.  She truly is a master.  

Connor’s blend of funk and blues goes right for the jugular in “Mutha” with fierce, mind-blowing guitar licks and vocal backing from Dinero.  The album comes to a climatic end with “Dear America”, a heavy Led Zeppelin-based blend of “When the Levee Breaks” topped with Dinero’s spoken-word state-of-the-world message.

Rise elevates Joanna Connor to a brand-new level.  I highly recommend this one.   

---

For more information about the artist, visit this website:  www.joannaconnor.com

PhillyCheeze’s Review of Joanna Connor’s Six String Stories : https://phillycheezeblues.blogspot.com/2017/08/joanna-connor-six-string-stories.html

PhillyCheeze’s Photo coverage of 2017 Czech Village Blues festival, featuring headliner Joanna Connor : https://phillycheezeblues.blogspot.com/2017/08/czech-village-blues-festival-aug-12-2017.html

#485 : Vanessa Collier - Heart on the Line

2020 – Phenix Fire Records / Vanessa Collier

By Phillip Smith; Feb. 6, 2021

 

They say you got to strike while the iron is hot, and that is exactly what Vanessa Collier is doing.  As the recipient of the “Horn Player of the Year” award for two years in a row at the Blues Music Awards in 2019 and 2020, this artist is surely setting herself up for a three-peat.  Collier brings an immense amount of talent to the studio for her fourth album Heart on the Line.  She’s truly at the top of her game both vocally and as a sax player.  Backing Collier on this eleven-track album is Laura Chavez on electric guitar, C.C. Ellis, Scott Sutherland (Mike Zito, Albert Castiglia), and Cornell Williams on bass, William Gorman on organ/piano, Quinn Carson on trombone, and Doug Woolverton on trumpet.

I absolutely love “Bloodhound”, Collier sings the song with a sweet Mississippi twang as Chavez pours gobs of swampy goodness all over her slide guitar.  Topped with horns and searing guitar, the rolling rhythm on “Take a Chance on Me” is funky and infectious.  Collier beautifully delivers another outstanding dose of original blues with her breathtaking voice and mastery of the saxophone on “Weep and Moan”,

Out of the eleven tracks, all are original with the exception of two covers.  The first being a groovy remake of James Brown’s “Super Bad”.  Slathered with heaping helpings of delicious sax, this one leads the album off in style.  The second is a fresh and hip take on Randy Neuman’s “Leave Your Hat On”.  Collier really gets down on this one.   It’s plumb terrific.

Heart on the Line is an album I would highly recommend.  It’s a superb recording.                

---

 

 

(note: In 2019, I had the pleasure of catching Laura Chavez perform with Nikki Hill as the Friday night headliner at the Prairie Dog Blues Festival in Prairie Du Chien, Wisconsin.  The show was downright splendid.)   

 

 

 

 

 

 

 

 

 

 

For more information about the artist, visit this website : vanessacollier.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.